Guitar and Bass Magazine honors the RADIUS

NS Design’s CR5 Radius Bass Guitar receives Guitar and Bass magazine UK: December 2014 Cover Story Gear of the Year – Winner Guitar Awards 2014 Bass Guitar Over £1000.

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There are very few people who deserve a place at the top table of bass design – the game-changers, the designers and the inspired individuals whose innovations became globally accepted as standard – but Ned Steinberger is definitely one of them.  The man who gave us that iconic, headless and wood-free wonder the L-2 is once again exploring the solidbody bass guitar.  While the L-2’s minimal form gave traditionalists an easy target, the Radius is a different kettle of fish.  It’s still headless, sure, but the sleek, curvaceous, double-cutaway maple body has a sumptuous flamed maple top that gives it a new high-end classiness.  The three pickup setting and polar piezo combinations are going to give a lot of variation, and it’s especially interesting to combine each magnetic setting with its piezo blend version.

 

In twin pickup mode the Radius is big and brash with a solid bottom end, a slightly snarly midrange and highs that are bright and zingy, if a little high-mid biased.  Blending in the Polar pickup sanitises the sound;  the definition is still excellent but now the tone has lost the zingy high-mid sheen – a nicely even, controlled setting for pop exploits.  NS took plenty of time putting the CR5 together and not a single millisecond has been wasted.  It’s a wonderful instrument that manages to look cooler than a headless bass has any right to and piezo/ magnetic mixture produces effectively three basses:  a bit of an animal with the magnetics, more polite and refined with the blended, or earthy and thudding in piezo mode.  The isn’t super-slim but it’s very comfortable and contributes  to the feeling of a bass that demands to be played, while the self-clamping tuning system is fantastic.  Of course, the £2000-plus price tag is up in the professional echelon, but we think it’s worth every penny.