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		<title>NS Insight: Highs &#038; Lows</title>
		<link>https://thinkns.com/ns-insight-highs-lows/</link>
		
		<dc:creator><![CDATA[coreyredonnett]]></dc:creator>
		<pubDate>Fri, 29 May 2015 19:26:46 +0000</pubDate>
				<category><![CDATA[Education]]></category>
		<category><![CDATA[Experiences]]></category>
		<category><![CDATA[Instruments]]></category>
		<category><![CDATA[NS Insight]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[bowed electric]]></category>
		<category><![CDATA[frequency]]></category>
		<category><![CDATA[nedsteinberger]]></category>
		<category><![CDATA[NS Design]]></category>
		<category><![CDATA[piezo]]></category>
		<category><![CDATA[polar pickup]]></category>
		<category><![CDATA[thinkns]]></category>
		<guid isPermaLink="false">http://news.thinkns.com/?p=2235</guid>

					<description><![CDATA[<p>NS Insight: Highs &#38; Lows There’s a reason why professional bass players love the big, punchy low end and the glistening highs &#38; harmonics of an NS Bass. Here’s what’s going on: Human hearing is naturally strong in the mids (roughly between 1 and 5 kHz, the vocal frequency range), but drops off at higher [&#8230;]</p>
<p>The post <a href="https://thinkns.com/ns-insight-highs-lows/">NS Insight: Highs &#038; Lows</a> appeared first on <a href="https://thinkns.com">NS Design</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="margin: 0in; font-weight: bold; font-family: Arial; font-size: 14.25pt;">NS Insight: Highs &amp; Lows</p>
<p style="margin: 0in; font-family: Arial; font-size: 11.25pt;">There’s a reason why professional bass players love the big, punchy low end and the glistening highs &amp; harmonics of an NS Bass. Here’s what’s going on:</p>
<p style="margin: 0in; font-family: Arial; font-size: 11.25pt;">Human hearing is naturally strong in the mids (roughly between 1 and 5 kHz, the vocal frequency range), but drops off at higher and lower frequencies. Most instruments, including basses, have a matching problem producing sound: strong in the mids but tapering off at both ends of the sound spectrum where a great deal of important tone content resides. This is usually compensated for with equalization, boosting the highs and lows, suppressing the mids. However, that signal processing comes at a price: loss of quality and clarity.</p>
<p style="margin: 0in; font-family: Arial; font-size: 11.25pt;">
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<p style="margin: 0in; font-family: Arial; font-size: 11.25pt;"><a href="http://thinkns.com/wp-content/uploads/2015/05/Highs-and-Lows-graphic.jpg"><img fetchpriority="high" decoding="async" class="alignleft size-medium wp-image-2236" src="http://thinkns.com/wp-content/uploads/2015/05/Highs-and-Lows-graphic-300x273.jpg" alt="Highs and Lows graphic" width="300" height="273" /></a></p>
<p style="margin: 0in; font-family: Arial; font-size: 11.25pt;">
<p style="margin: 0in; font-family: Arial; font-size: 11.25pt;">How are we different? One of the features of every NS bass is the <a href="http://thinkns.com/instruments/polar.php">Polar™ pickup system</a>. Unlike an ordinary pickup, the Polar pickup doesn&#8217;t lose sensitivity above or below the midrange. The piezo technology embedded at the base of bridge harnesses the entire range of frequencies your strings produce – with full fidelity, and full force. And your ears can definitely hear the difference.</p>
<p>The post <a href="https://thinkns.com/ns-insight-highs-lows/">NS Insight: Highs &#038; Lows</a> appeared first on <a href="https://thinkns.com">NS Design</a>.</p>
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