Laurie Anderson – Resident Artistic Director at SFJAZZ Center in 2020 has made marked performances with cellist Rubin Kodheli and famed-bassist Christian McBride. The concert is part of The L.A. Philharmonic’s annual jazz series.
Laurie Anderson Lands Year-Long New York City Residency – Rolling Stone
Laurie Anderson will spend most of 2020 performing a Sunday music series starting February 3rd at Joe’s Pub in NYC as part of their 2020 Vanguard Award and Residency. “The Public is a nonprofit theater that presents plays and musical performances almost every night of the year, and aims to support New York artists by encouraging exchange across generations and mediums.” – New York Times – Giovanni Russonello
Laurie Anderson received her first Grammy Award for Best Chamber Music / Small Ensemble Performance at the 2019 61st Annual Award show. Her collaboration with the heralded Kronos Quartet on the introspectively titled “Landfall” recounts her experiences with Hurricane Sandy.
First performed in 2015, an evening with Laurie Anderson and Philip Glass is a unique musical collaboration. Laurie is one of America’s most renowned – and daring – creative pioneers. She is best known for her multimedia presentations and musical recordings.
Laurie Anderson and Philip Glass will perform in conjunction at the Tibet House US 33rd Annual Benefit Concert at:
Carnegie Hall, Stern Auditorium / Perelman Stage
57th Street & 7th Avenue
New York (NYC), NY 10019 US
Curated by Philip Glass, the 33rd Annual Tibet House US Benefit Concert features Laurie Anderson, Iggy Pop, Patti Smith and more. Tickets on sale now.
Laurie Anderson is one of America’s most renowned – and daring – creative pioneers. Known primarily for her multimedia presentations, she has cast herself in roles as varied as visual artist, composer, poet, photographer, filmmaker, electronics whiz, vocalist, and instrumentalist.
O Superman launched Anderson’s recording career in 1980, rising to number two on the British pop charts and subsequently appearing on Big Science, the first of her seven albums on the Warner Brothers label. Other record releases include Mister Heartbreak, United States Live, Strange Angels, Bright Red, and the soundtrack to her feature film Home of the Brave. A deluxe box set of her Warner Brothers output, Talk Normal, was released in the fall of 2000 on Rhino/Warner Archives. In 2001, Anderson released her first record for Nonesuch Records, entitled Life on a String, which was followed by Live in New York, recorded at Town Hall in New York City in September 2001, and released in May 2002.
Anderson has toured the United States and internationally numerous times with shows ranging from simple spoken word performances to elaborate multimedia events. Major works include United States I-V (1983), Empty Places (1990), The Nerve Bible (1995), and Songs and Stories for Moby Dick, a multimedia stage performance based on the novel by Herman Melville. Songs and Stories for Moby Dick toured internationally throughout 1999 and 2000. In the fall of 2001, Anderson toured the United States and Europe with a band, performing music from Life on a String. She has also presented many solo works, including Happiness, which premiered in 2001 and toured internationally through Spring 2003.
Anderson has published six books. Text from Anderson’s solo performances appears in the book Extreme Exposure, edited by Jo Bonney. Anderson has also written the entry for New York for the Encyclopedia Brittanica and in 2006, Edition 7L published Anderson’s book of dream drawings entitled “Night Life”.
Laurie Anderson’s visual work has been presented in major museums throughout the United States and Europe. In 2003, The Musée Art Contemporain of Lyon in France produced a touring retrospective of her work, entitled The Record of the Time: Sound in the Work of Laurie Anderson. This retrospective included installation, audio, instruments, video and art objects and spans Anderson’s career from the 1970’s to her most current works. It continued to tour internationally from 2003 to 2005. As a visual artist, Anderson is represented by the Sean Kelly Gallery in New York where her exhibition, The Waters Reglitterized, opened in September 2005. In 2008, the Museum of Modern Art acquired her “Self-Playing Violin” which was featured in the “Making Music” exhibition in Fall 2008.
As a composer, Anderson has contributed music to films by Wim Wenders and Jonathan Demme; dance pieces by Bill T. Jones, Trisha Brown, Molissa Fenley, and a score for Robert LePage’s theater production, Far Side of the Moon. She has created pieces for National Public Radio, The BBC, and Expo ‘92 in Seville. In 1997 she curated the two-week Meltdown Festival at Royal Festival Hall in London. Her most recent orchestra work Songs for Amelia Earhart. premiered at Carnegie Hall in February 2000 performed by the American Composers Orchestra and later toured Europe with the Stuttgart Chamber Orchestra conducted by Dennis Russell Davies. The piece was performed as part of the Groningen Festival honoring Laurie Anderson in Fall 2008 with the Noord Nederlands Orkest.
Recognized worldwide as a groundbreaking leader in the use of technology in the arts, Anderson collaborated with Interval Research Corporation, a research and development laboratory founded by Paul Allen and David Liddle, in the exploration of new creative tools, including the Talking Stick. She created the introduction sequence for the first segment of the PBS special Art 21, a series about Art in the 21st century. Her awards include the 2001 Tenco Prize for Songwriting in San
Remo, Italy and the 2001 Deutsche Schallplatten prize for Life On A String as well as grants from the Guggenheim Foundation and the National Endowment for the Arts. She recently collaborated with Bran Ferren of Applied Minds, Inc to create an artwork that was displayed in “The Third Mind” exhibition at the Guggenheim Museum in New York in Winter 2009.
In 2002, Anderson was appointed the first artist-in-residence of NASA which culminated in her 2004 touring solo performance “The End of the Moon”. Recent projects include a series of audio-visual installations and a high definition film, “Hidden Inside Mountains”, created for World Expo 2005 in Aichi, Japan. In 2007 she received the prestigious Dorothy and Lillian Gish Prize for her outstanding contribution to the arts. In 2008 she completed a two-year worldwide tour of her performance piece, “Homeland”, which was released as an album on Nonesuch Records in June, 2010. Anderson’s solo performance “Delusion” debuted at the Vancouver Cultural Olympiad in February, 2010 and toured internationally throughout 2011. In 2010 a retrospective of her visual and installation work opened in Sao Paulo, Brazil and later traveled to Rio de Janeiro.
In 2011 her exhibition of all new work titled “Forty-Nine Days In the Bardo” opened at the Fabric Workshop and Museum in Philadelphia. That same year she was awarded with the Pratt Institute’s Honorary Legends Award. In January of 2012 Anderson was the artist-in-residence at the High Performance Rodeo in Calgary, Alberta where she developed her latest solo performance titled “Dirtday!” Her exhibition “Boat” curated by Vito Schnabel opened in May of 2012. She has recently finished residencies at both CAP in UCLA in Los Angeles and EMPAC in Troy New York. Her film Heart of a Dog was chosen as an official selection of the 2015 Venice and Toronto Film Festivals. In the same year, her exhibition Habeas Corpus opened at the Park Avenue Armory to wide critical acclaim and in 2016 she was the recipient of Yoko Ono’s Courage Award for the Arts for that project. Anderson lives in New York City.