If you could take all the energy you use to hold your violin and apply it to your playing, would you play differently? Optimal chin rest position is crucial for player comfort. Full adjustment allows each player to customize the chin rest to fit vastly different body shapes and playing styles. Using your hand to overcome the friction of the clamp allows you to experiment to find a desirable chin rest angle. The chin rest can tilt forward and back, as well as left and right.
The clamping screws in the center of each hub can be adjusted to provide the desired amount of friction to insure that the chin rest does not move in use.
Using the 5/32″ hex wrench (provided) to adjust the level of friction, the chin rest position can also be moved closer or further from the instrument. It can also be rotated more to the center or more to the side.
Performance by Jon Boogz and Lil Buck at TED2017 – The Future You, April 24-28, 2017, Vancouver, BC, Canada. Photo: Bret Hartman / TED
NS Violinist Jason Yang follows his creative instincts into innovative musical territory. As a young classical violinist growing up in New Jersey, Yang enjoyed performing with the Philadelphia Youth Orchestra. He broadened his interests beyond classical music while at the University of Southern California, where he met musicians who sparked his interest in composing and improvisation.
Yang began composing, arranging, and teaching, and developed his own unique style. In 2007, he began playing the NS Design CR Series Electric Violin, which expanded his sonic palette and offered a new array of technical possibilities. Jason’s performances came to encompass a variety of genres, bound together by technological innovation and his deft, playful musicianship.
Yang is pictured here at NAMM 2017 with his composing mentor Mick Baumeister (left), and Ned Steinberger (right), founder and designer, NS Design.
In 2008, while still at USC, he started posting YouTube videos of himself from his dorm room jamming on the CR4 with various pedals and layering effects. Layering and mixing using the NS electric violin, his acoustic violin, and other instruments, Yang constructed an orchestral base for his music. The success of his YouTube videos raised his profile among a new generation of experimental violinists. Today, his YouTube channel has 198,000 subscribers.
At Yang’s workstation, pictured in foreground: NS Design CR4 Transparent Black Cherry High Gloss Custom Electric Violin displayed on the NS Violin Caddy; background: NS Design CR4 Amber Satin Electric Violin.
After college, Jason found increasing success as a professional musician. In 2012 he joined Madonna’s MDNA World Tour as her violinist. He continues to collaborate with dancer and performance artist Lil Buck, who also tours with Madonna. Lil Buck and Yang have also performed together on The Colbert Report, and recently at TED2017, in the premier of a performance as MAI: Movement Art Is, co-led by dancer/choreographer John Boogz. That work, “A Dance to Honor Mother Earth”, combined dance, spoken word, and Native American song and music performed by Yang on the CR Violin.
Performance by Jon Boogz and Lil Buck at TED2017 – The Future You, April 24-28, 2017, Vancouver, BC, Canada. Photo: Ryan Lash / TED
Watch the full performance here:
Jason has played the CR Violin for almost a decade. In his own words, the instrument is “hands down the best electric violin available … sound, response, design, build quality, dependability.” Jason goes wireless in his live performances, with a wireless pack in to his CR, and wireless in-ears for monitoring. He uses Boss pedals and loop stations for his effects.
Here’s another example of what Jason does so well, in what he describes as: “Spontaneous 100% freestyle jam of Moonlight Sonata. With a lil’ bit of distortion…” in a video post with fellow Movement Art Is collaborator, John Boogz:
Recently Amazon.com approached Yang to host his own live streaming channel on their online streaming service TwitchCreative. Growing out of TwitchTV, which originally focused on live-stream gaming, TwitchCreative has channels for music, cooking, painting, and crafts.
Jason’s live shows feature jamming, requests from among his 14,000 followers and guest appearances by other artists he hosts from his living room studio. Some of the most popular streams include work with ChewieMelodies, The Luck, Cellist Mariko, and several collaborations with his sister, pianist Pauline Yang.
For more information about the CR Series Electric Violins that Jason plays and the entire selection of NS Bowed Electric Instruments, including the new Eco-friendly and battery free NXTa or the affordable and road-worthy WAV Series or to see a selection of our Custom CR Series Finishes, and available accessories for the NS Electric Violin, please visit our website: ThinkNS.com.
For those of you returning to school this September, put fiery bounce in your bow by developing your “chop” percussion techniques on your violin, viola, cello or upright bass.
Starting as what was called the “chunk” technique and made popular by the father of Bluegrass, Bill Monroe, “chopping” has quickly become a fun and funky way for players to keep the groove moving. Bill Monroe’s fiddler Richard Greene (pictured below) further developed the “chop” technique into his own artful musical language.
Be sure to check out an excerpt from his guest appearance at the Strings Without Boundaries Summer 2016 Session in Seattle, Washington:
For lessons in how to develop this technique in your own playing, check out the Lyonn’s Roar – Fifth Edition “Rhythmize Your Bow with Chop”.
NS Artist and multi-instrumentalist Margot Lane is an accomplished writer, pianist and is currently violinist, keyboardist and music director for former child actor and musician Corey Feldman’s new outfit Corey Feldman and the Angels. Corey and the Angels includes Lane and three other musicians. They made an impact last summer with a unique performance on the Today Show, and by doing so created a social media storm filled with criticism and accolades.
Feldman explains in an article by Brett Callwood of LA Weekly: “There’s a strong buzz, and the reviews from the first show have been fairly tremendous,” Feldman says. “It’s not rocket science. We’re not The Beatles. But there’s an importance to what we’re doing. It’s tongue-in-cheek and we’re all having fun with it, but it’s also an important and positive message: Don’t ever think that your day is done. As long as you have the fight and fire in you, you can achieve anything.”
The momentum of that particular performance last year inspired Feldman to find testing ground for an exciting and theatrical production collaborative with the ‘Angels’ in a mini-tour. He continued to garner more attention and a full spectrum of press coverage from this new performance concept as Corey Feldman and the Angels, and a full U.S. summer tour was recently announced with several dates slated for venues all around the country.
Tour poster photographed by Maggie St. Thomas & with artwork by Chris Canote.
“Corey’s Heavenly Tour: Angelic 2 The U.S.” kicks off June 9th in Las Vegas at the Hard Rock Hotel and Casino with Margot Lane featured on the NS NXT4a Electric Violin. She plays on hits from Feldman’s notable movies such as “Stand By Me,” “The Lost Boys” and even “The Goonies.”
Lane is no stranger to the theatrical realm and since moving to Los Angeles has written, performed and recorded soundtracks for film, worked in Asia with the Saigon Broadcasting Television Network and is also currently violinist in the Las Vegas based rock string group Bella Electric Strings. She also has time to lead a heartland rock band called The Grey Birds and Margot Lane.
To kickoff Winter NAMM each year Michael Angelo Batio and Neil Turbin host a metal concert, an artist collective of bands and players that play in benefit to a particular charity. Lane played her NS violin in the 9th Annual N.A.M.M. All-Star Metal Jam in benefit for the Rock Against MS Foundation. Here’s a great shot of her from that show playing her NXTa.
For more information about Margot Lane, links to her videos, music and more check out her website: https://www.margotlane.com/home.
For tour information and tickets for Corey’s Heavenly Tour: Angelic 2 The U.S. you can visit their official website: www.Angelic2theCore.com.
Whether you’ve just unboxed your new NS Violin, plugged in your acoustic for the first time, or are just ready to unleash into new territory on the instrument you already love to play, these exciting iNSights will take your playing to another level and help you stand out in any performance setting.
Chord connection fills, textural ghost notes, chopping techniques, and incorporating guitar and horn like riffs to electrify your string sound, Lieberman highlights a range of suggestions for expanding your violin’s voice using several alternative techniques.
This fourth edition includes a bonus interview with violinist Papa John Creach of Jefferson Airplane and Hot Tuna. Papa John is an exciting and unique violinist and performer that understands how to truly stand out on a stage. In the interview, he talks about how to “Get Down, Get Dirty and Give it some Guts” on your electric.
How else do you achieve these techniques? Attend a summer program that will help you build new skills, there are quite a few to choose from. Check out Julie’s book, How to Play Contemporary Strings: A Step-by-Step Approach for Violin, Viola & Cello, with its video tutorials and backing tracks, it’s a sure way to gain skills and have some fun. Visit her website for more information on all her books, DVDs and courses. http://julielyonn.com/
If you could take all the energy you use to hold your violin and apply it to your playing, would you play differently? Optimal chin rest position is crucial for player comfort. Full adjustment allows each player to customize the chin rest to fit vastly different body shapes and playing styles. Using your hand to overcome the friction of the clamp allows you to experiment to find a desirable chin rest angle. The chin rest can tilt forward and back, as well as left and right.
The clamping screws in the center of each hub can be adjusted to provide the desired amount of friction to insure that the chin rest does not move in use.
Yang is pictured here at NAMM 2017 with his composing mentor Mick Baumeister (left), and Ned Steinberger (right), founder and designer, NS Design.
At Yang’s workstation, pictured in foreground: NS Design CR4 Transparent Black Cherry High Gloss Custom Electric Violin displayed on the
