The latest For Bass Players Only interview is with jazz bassist and NS Artist Marcos Varela, who sat down with Jon Leibman at the NS Design booth during the Winter NAMM Show 2020. Among the topics, they talk bass technique, Mingus Big Band in NYC, a new debut record release planned with the Illumination Quartet on Spanish label Fresh Sound New Talent, and Varela’s rock jazz projects in the works with the NS CR Radius bass guitar.
Here’s For Bass Players Only Interview with NS Artist Donald Waugh at the NS Design booth during Winter NAMM 2020.
Donald chats with FBPO’s Jon Liebman about a new album in the works for 2020, and advice about learning to play bass, among other topics. Continue reading…
Check out the new interview with Bass Musician Magazine with NS Design Artist Carolyn Routh of Nu-Blu. She talks about her role in Nu-Blu, her recent podcast and VJing with The Bluegrass Ridge TV, among many other projects. Continue reading…
Ned Steinberger (center) meeting with Tommy Maloney (left) and V.J. Manzo (right) in the Electric Guitar Innovation Lab at WPI.
NS Design Founder and award-winning instrument designer, Ned Steinberger recently spent some time in collaboration on confidential research regarding electric guitar technology, with Tommy Maloney and V.J. Manzo of the Electric Guitar Innovation Lab at Worcester Polytechnic Institute (WPI) in Worchester, MA. Continue reading…
NS Design has launched an NS Instrument Registration Form on our website. Registering your NS instrument helps us serve you better if you need to request technical support from us in the future. When you complete your registration, we will issue you an NS ID number for your instrument that you can refer to in future communications with us. Continue reading…
Here is your IBMA 2019 World of Bluegrass Conference and Awards Recap!
NS Design attended and exhibited at the International Bluegrass Music Association (IBMA) World of Bluegrass Expo, Booth #315. Many NS Artists, friends and fans stopped in to say hello to NS National Sales Manager Tommy Wilson and NS Artist Relations Manager Corey Redonnett, who showcased a variety of NS instruments for attendees to plug in and pick, pluck, bow and strum! The Expo ran from Wednesday, September 24 through Saturday, September 28, 2019. Continue reading…
Benny Rietveld bassist for Santana, playing the NS CRM Upright. Photo by Alan Poulin
NS Design Artist Benny Rietveld, longtime bassist and music director for Santana, sat down for an exclusive interview with Jon Liebman of For Bass Players Only. Benny shares his history and the power of the bass. Continue reading…
NS Design Artist Jamaaladeen Tacuma speaks with Premier Guitar in the August, 2019 issue about producing The Last Poets 2019 release Transcending Toxic Times, and his Steinberger and NS Design Basses. Continue reading…
From the NS Design Booth at Winter NAMM 2019, here is NS Artist Donald Waugh’s Review of the NS RADIUS Bass Guitar with NS Design’s founder and award winning designer, Ned Steinberger: Continue reading…
October 12 – 14, 2018, Hallowell, Maine welcomes you to celebrate the craft of lutherie at the 2nd Annual Maine Luthiers Exhibition and Music Showcase at central Maine’s “New Orleans on the Kennebec”, with a gallery exhibition of Maine made instruments, craft demonstrations, and great live performances at auditoriums, restaurants, and pubs in the most charming, and rocking, downtown north of Portland.
Friday night’s reception at City Hall includes a meet and greet with Ned Steinberger, our keynote speaker and an internationally recognized innovator in musical instrument design and construction. He is an incredible example of innovative intellectual property producer who lives and works in Maine, and is part of an international manufacturing network.
The 2nd Annual Maine Luthiers Exhibition and Music Showcase is brought to you by the City of Hallowell, in partnership with The Harlow Gallery and Maine Craft Weekend, and funded in part by a grant from the Maine Arts Commission, an independent state agency supported by the National Endowment for the Arts.
Friday Night Welcoming at Hallowell City Hall
- Keynote Speaker: Ned Steinberger, internationally recognized stringed instrument design innovator, City Hall Auditorium, 6:30 PM, with VIP reception at 5:30. General seating starts at 6 PM.
- Featured Performers: Adam Frederick, bassist, NS Design Featured Endorser, City Hall Auditorium, 7:30 PM; The Katie Matzell Band, City Hall Auditorium, 8:00 PM
NS Artist Adam Frederick with the Fretless Sunburst NXT5a RADIUS
Music and woodworking vendors and demonstrations including:
- Bourgeois Guitars, Hallowell City Hall
- Kennebec Instrument and Amplifier, Hallowell City Hall
- Carter Ruff, Luthier, Hallowell City Hall
- Shelter Tool, Hallowell Bandstand (next to The Harlow)
All days Featuring:
- Maine-Made Stringed Instrument Exhibition at The Harlow
- Raffle drawings for great stringed instruments including a NS Design WAV4 Radius electric bass guitar and a Yamaha Revstar RS502 electric guitar
- Music Performances in Downtown Venues throughout the weekend
Visit http://hallowell.org/luthiers/ for more details and to reserve your tickets!
Bass Musician Magazine
NS Design 5-String NXTa Radius Bass Guitar Review
Author : Ty Campbell
Date : 10-09-2018
New from NS Design is the NXTa Radius Bass Guitar.
If you aren’t familiar with NS Design instruments, you should know the NS abbreviation stands for Ned Steinberger. The way I see it, Leo Fender introduced us to the electric bass and Ned Steinberger has taken what Leo has done and added engineering and innovation not only to the electric bass, but many other instruments produced by Ned and his great team at NS Design. Ned is the designer of the famous Spector NS basses. What Ned Steinberger does for any of his instruments takes years of research and development until everything is just right and his ideas and innovation are turning up in other manufacturers’ instruments later on.
The NXTa Radius is an innovative and engineering work of art, beauty, and tone to perfection.
Read the full article on Bass Musician Magazine’s website: https://bassmusicianmagazine.com/2018/09/ns-design-5-string-nxta-radius-bass-guitar-review/
Those who have been following his career know that Bakithi Kumalo joined Paul Simon’s band in 1985 and has performed with him ever since. His playing on Simon’s album Graceland became one of the iconic bass performances of all time. In February, Simon announced Homeward Bound – The Farewell Tour, the final phase of his fifty-year performance career. Kumalo will accompany him on this tour, as he has for the last thirty years. He plays an array of NS instruments, including the CR5 RADIUS bass guitar and the NXT4 electric upright bass.
Last October we had the pleasure of capturing highlights of time spent between Bakithi and Ned Steinberger at Ned’s studio and workshop in Maine. In the course of their conversation, Ned shared his thoughts on instrument design and the relationship between designer and musician. Bakithi played and shared his own thoughts on Ned’s instruments, including some of his experimental creations.
This is a must-watch video for any fan of Bakithi or Ned, and fascinating for anyone who thinks deeply about music.
For additional footage of their day together at Ned’s workshop and studio, please visit the NS Design YouTube Channel.
Recently awarded this year’s Benny Golson Award by Mayor Jim Kenney of Philaldelphia, PA, renowned jazz bassist Jamaaladeen Tacuma, presents the fourth annual Outsiders Improvised & Creative Music Festival. This year’s 3-event festival continues its mission of showcasing diverse styles of risk-taking, progressive music and groundbreaking artists on April 6th, 15th and 29th for Philadelphia’s Jazz Appreciation Month. Featuring Tacuma along with headliner Ornette Coleman’s PRIME TIME led by Denardo Coleman and FREE FORM FUNKY FREQS trio with G. Calvin Weston and Guitarist Vernon Reid.
For tickets and venues visit: https://www.jamaaladeenmusic.com/
FOR IMMEDIATE RELEASE
For more information contact:
Gary Byers, NS Design
NOBLEBORO, MAINE (January 23, 2018) – Ned Steinberger’s approach to the RADIUS series, as with every new instrument, has been to re-explore each facet of a bass guitar, leading to innovations that provide the player with amazing physical comfort, exceptional performance and unparalleled versatility. The new NXTa brings together the brilliant ergonomics of the headless neck and body configuration, the NS self-clamping tuning system, custom NS/EMG™ pickups, volume-volume-tone controls, and the battery-free Dual Mode Output electronics made for NS by Mi-Si™. Fretted or fretless, 4 string (NXT4a) or 5 string (NXT5a), the NXTa Radius Bass Guitar is beautifully crafted in the Czech Republic and is made from solid, straight grain maple, with maple face (Satin Black model) or flame maple face (Sunburst model).
Here is a top-down look at four key elements which set the NXTa Radius apart from other basses:
NXTa Radius Neck
The headless, bolt-on maple neck has 24 frets, a 34” scale for the NXT4a and 35″ scale for the NXT5a, and a familiar 15” radius. A volute provides thumb reference at the nut. String slots in the aluminum headplate eliminate the need for a headstock with heavy tuning machines. Conveniently accessed from the top of the neck, the steel double-action reinforcing truss rod, gives both rigidity and precise relief control.
NS Diradial™ Body
The concave back profile provides a sense of comfort and stability against the torso. The front of the instrument is more tightly radiused, which, in with the general wedge shape of the body, creates a more comfortable orientation to the right hand. The configuration of the body cutaway provides easy access to the highest frets.
Perfectly balanced, the NXTa has no downward dip of the neck, for effortless left-hand freedom. Combined, the shape, balance and light weight (the NXT4a is just 7.8 lbs) make this instrument incredibly comfortable to play.
Dual Mode (Active/Passive) Output Electronics
The NS/EMG Radius features custom magnetic pickups with a radiused top and magnetic structure designed to optimally capture the full richness of tone from every string. The controls are a familiar Volume-Volume-Tone configuration. The Tone control is also a push-pull knob, used to select between the NXTa’s active or passive output modes. The active mode is battery-free; the special supercapacitor-based circuitry charges in 60 seconds to deliver active output for 16 hours from the time of the charge. The instrument is supplied with an AC charger which plugs into the guitar’s output jack.
Patented Self-Clamping Tuning System
Fast and simple, this self-clamping precision tuning system is integrated into the body of the RADIUS. Any standard single-ball end, full-scale bass guitar string can be used – simply rotate the knurled knob for a quick string change and to bring it to precise pitch.
Photos of the NXTa are available for press download at this link.
Founded in 1990 by noted instrument designer Ned Steinberger, NS Design also offers a wide range of electric bowed string instruments and accessories, including EU, CR, NXT and WAV series. NS Design is headquartered in Nobleboro, Maine. For more information, email email@example.com, visit http://thinkNS.com, or call +1 (207) 563-7705.
|Weights & Measures||NXT4a||NXT5a|
|Bridge Spacing||19 mm||18 mm|
|12th Fret Width||2.2″||2.5″|
|Weight||7.8 lbs||8.6 lbs|
A generation of musicians has come of age since NS Design founder Ned Steinberger revolutionized the electric bass in the early 1980s. In this in-depth article, MusicRadar.com’s Jim Reilly explores the history of the original “headless” Steinberger basses and guitars, and traces Ned’s journey from those early instruments to NS Design’s innovative product line of today.
In-depth with bass’s headless horseman
In the world of bass guitar design, the name Ned Steinberger conjures up many different images. Some people envision Sting or Jamaaladeen Tacuma jumping around, playing an odd-looking bass with a huge sound and incongruously tiny body.
Others see Tony Levin strutting across Peter Gabriel’s stage with an electric upright. Still others picture Grace Chatto bowing an electric cello with pop sensation Clean Bandit.
For those really in the know, the name Ned Steinberger brings to mind not only those images but also pictures of a bass with a curved, ergonomic body – and a huge number of players and fellow instrument builders inspired by that design. Ned’s designs are all those things and much more.
His story, at its heart, is one of a true designer – someone inspired by problems, who when he or she gets hold of a good one, won’t let go until a solution has been found. In Ned’s words, “I get obsessed with a problem. I say to myself, over and over, ‘There has got to be a way to do this!’ Finding a new and better solution to something – something that hasn’t been done before – is what excites me.”
To really make sense of Ned’s achievements in electric bass design and understand what makes his new electric bass – the NS Design Radius – special, we will need to go back to the mid 1970s, and a small, communal, woodworker’s co-operative in Brooklyn, New York.