NS Design Artist Gianni Luminati is one of the lead members of the multi-platinum selling indie pop act Walk off the Earth. Since 2006 WOTE’s viral and intriguing videos have captured the world over. Reimagining popular music’s most revered and coveted songs, Gianni and company have truly made a mark for themselves, inspiring many musicians to push the envelope of creativity by implementing non-traditional instruments in non-traditional roles of pop music.
Gianni says, “We have always been a huge fan of the Steinberger Electric Bass Guitar. When we found out Ned had started a new endeavor with NS Design, we were intrigued. We knew his attention to sound quality and detail was something we would see when we got our hand on these instruments.”
Check out Gianni and Walk Off The Earth joining Lisa Loeb on her 90’s smash hit Stay.
NS Artist and esteemed bassist Tony Levin and his long-time bandmates in King Crimson are embarking on their 2019 50th Anniversary Celebration American Tour. With his CR5M Upright Bass, Tony and the rest of the KC camp will be ploughing through their extensive history of fan favorites. After a Summer of European shows, this series of concerts are sure to please the most diehard fans.
Tony will also be doing a run of December dates with The Levin Brothers. Featuring tinges of mid-century Afro-Cuban Jazz, Tony on his CR5 Cello and CR5M Upright Bass along with keyboardist brother Pete Levin, carve out fiery improvisations and groovy compositions rooted in classic Jazz of their childhood.
Classical crossover trio Simply Three plays music that is anything but simple.
They have performed covers of artists from Adele to Michael Jackson to Queen, winning the hearts of thousands of concert-goers and millions of YouTube followers. Blending top-notch musicianship with high production value and a dose of good humor, their recent music video—a cover of Queen’s “Bohemian Rhapsody”—sums them up pretty well:
(Please note: NS Design does not endorse playing your bass on top of a moving car. Even if you can.)
NS Design’s electric bowed instruments are integral to Simply Three’s music, both live and in studio. They perform with a matching set of CR Series instruments (CR Violin,CR Cello, CRM Upright Bass) with custom slate gray finish, in addition to their acoustic instruments.
The group takes full advantage of their NS instruments’ broad tonal palette and strong, clean signal. They also rely on NS Design’s ergonomics and patented support systems for their choreographed performances.
After all, not just any cello sounds good inside an AMC Pacer!
Here’s what Glen McDaniel, Zack Clark, and Nick Villalobos say about their NS instruments:
“NS makes a fantastic violin. It stands out against all the major brands in its ability to produce a warmth and resonance that sound natural despite being an electric instrument. To me, it has the most interesting and visual appeal as well.”
“The NS CR Cello is the best sounding electric cello on the market today. I absolutely love its unique look as well as the versatility I have with its dual pick-up system. It’s the only electric cello I use both on the road and in the studio.”
“I continue to discover the versatility of this instrument and it continues to impress me every day.”
Acclaimed by everyone from the Boston Philharmonic to the Huffington Post, Simply Three has over 1.1 million followers on YouTube. (Check out their channel here.) Their upcoming East Coast tour begins in Delaware on June 19. A new album is due out later this year.
Scott Laird, nationally recognized string pedagogue and conductor (and NS Design Artist and Educator), has received The University of North Carolina Board of Governors 2019 Excellence in Teaching Award.
Steven Krull Photography
Established by the Board in 1993 to highlight the importance of teaching, the award recognizes the extraordinary contributions of faculty members System wide, honoring 17 outstanding faculty members this year.
“We take great pride in honoring these recipients. They all bring a high standard of excellence in the classroom through creative teaching methods that impact our students,” said UNC Board of Governors Chair Harry Smith.
Laird, who has served on the faculty of The North Carolina School of Science and Mathematics is currently the Fine Arts Coordinator and Instructor of Music.
Beginning in 2001, Laird’s milestone achievements include promoting and developing a high standard of musicianship and pride in the Orchestra and initiating popular electives Classical Piano and Guitar, Audio/Digital Music Production, and History of Western Music. Taking on the new role of Fine Arts Coordinator in 2008, Laird has played an integral role in recruiting, hiring, and supporting all of NCSSM’s Fine Arts instructors with an eye toward developing a team that exemplifies excellence in teaching, scholarship, impeccable musicianship, care for students, and collegiality.
In his 18 years as NCSSM’s orchestra conductor, the string section has grown from only 12 members in 2001 to over 60 players this year. They have performed major works every year including symphonies by Beethoven, Dvorak, Mendelssohn, Mozart, Haydn, and this year, Brahms and have featured over 70 student soloists over the years as part of an annual Concerto Concert. He sponsors and supports students who are selected for the NCMEA Eastern Regional Orchestra, NC Honors Orchestra, and NAfME National Honor Orchestra.
“This award is an opportunity to acknowledge the great work that’s being done by some of the finest instructors in all of higher education,” said UNC System Interim President Bill Roper. “It represents the talent we have in the UNC System and the high-quality education our students receive.”
Noted for his innovative approach to ensemble development and musicianship, Laird is a frequent conductor of honor orchestras and is a sought-after conference presenter. He has developed relationships with the Durham community by promoting the Fine Arts Series events to the community on area list-serves and our programs are now well known for their high quality, free admission, and family-friendly atmosphere.
He regularly performs on acoustic and electric violin and is known for his abilities in both the classical and improvisatory arena. We’re proud to add that his electric of choice is the NS Design CR Violin.
From the NS Design Booth at Winter NAMM 2019, here is NS Artist Donald Waugh’s Review of the NS RADIUS Bass Guitar with NS Design’s founder and award winning designer, Ned Steinberger:
“It’s not very often I play instruments that make me not want to stop playing… the WAV Radius Bass is one of those instruments. The NS Design bass guitars are all very beautifully designed, with a lot of tone options. The thing that stuck out most to me was the piezo pickup system that Ned Steinberger designed himself. It is not only dynamic, but also very warm; a unique blend of shimmering brights and deep lows. Don’t take my word for it, listen to the sound for yourself. Enjoy the video!” – Donald Waugh
NS Design is pleased to welcome the artist known as bad snacks to its roster of electric violin endorsing artists.
Classically trained on the violin, she had a career as a singer-songwriter on the east coast before moving to Los Angeles. Turning her talents to electronic music, bad snacks’ current work encompasses synthesized soundscapes with a “chillhop-meets-experimental” vibe. Recent performance credits include a commissioned album for YouTube’s Audio Library, playing with Grammy-nominated R&B/neo-soul group KING, and performances with the avant-garde Hollywood Light Orchestra.
Beyond performing, bad snacks has cultivated a YouTube following of over 30,000 subscribers. Her channel includes an in-depth look into production techniques for orchestration, mixing and mastering electronic music. A series of videos feature effect and synth pedals matched to the NS violin among others.
This demo of the NS NXT5a electric violin with the Meris Enzo synth pedal shows the creative potential of bad snacks’ work, and her talent for explaining the complex ideas of electronic music.
bad snacks raves about the NXTa violin:”I have never played an electric violin that has felt as natural yet versatile as the NXTa Violin. It’s incredibly comfortable to play, and the control of signal through the active setting and the pickup switch allows me to have all kinds of tonal versatility which is incredibly important as I tend to synthesize my instrument and put it through all kinds of effect chains. My live sets would be literally impossible without this instrument!”For more information and news on bad snacks, visit her YouTube Channel or Facebook Page.Visit ThinkNS.com for more info on the eco-friendly, battery-free NXTa Series of NS violins.
October 12 – 14, 2018, Hallowell, Maine welcomes you to celebrate the craft of lutherie at the 2nd Annual Maine Luthiers Exhibition and Music Showcase at central Maine’s “New Orleans on the Kennebec”, with a gallery exhibition of Maine made instruments, craft demonstrations, and great live performances at auditoriums, restaurants, and pubs in the most charming, and rocking, downtown north of Portland.
Friday night’s reception at City Hall includes a meet and greet with Ned Steinberger, our keynote speaker and an internationally recognized innovator in musical instrument design and construction. He is an incredible example of innovative intellectual property producer who lives and works in Maine, and is part of an international manufacturing network.
The 2nd Annual Maine Luthiers Exhibition and Music Showcase is brought to you by the City of Hallowell, in partnership with The Harlow Gallery and Maine Craft Weekend, and funded in part by a grant from the Maine Arts Commission, an independent state agency supported by the National Endowment for the Arts.
Friday Night Welcoming at Hallowell City Hall
Keynote Speaker: Ned Steinberger, internationally recognized stringed instrument design innovator, City Hall Auditorium, 6:30 PM, with VIP reception at 5:30. General seating starts at 6 PM.
Details: Come in and ask to try out an NS bass. While you’re there, get a photo trying out the qualifying instrument. Discover why NS is the emerging Heavy Hitter for bass pros worldwide, plus we’ll send you the free NS T-shirt!
By the way, NS Design may want to post the photos we’ve received on our social media, and if you or the retailer post photos and includes the #NSbassesloaded hashtag, NS Design will be proud to share them. (This promotion is good until October 15, 2018.)
New from NS Design is the NXTa Radius Bass Guitar.
If you aren’t familiar with NS Design instruments, you should know the NS abbreviation stands for Ned Steinberger. The way I see it, Leo Fender introduced us to the electric bass and Ned Steinberger has taken what Leo has done and added engineering and innovation not only to the electric bass, but many other instruments produced by Ned and his great team at NS Design. Ned is the designer of the famous Spector NS basses. What Ned Steinberger does for any of his instruments takes years of research and development until everything is just right and his ideas and innovation are turning up in other manufacturers’ instruments later on.
The NXTa Radius is an innovative and engineering work of art, beauty, and tone to perfection.
The electrifying trio of Glen McDaniel, Zack Clark, and Nick Villalobos, together known as Simply Three, have been captivating audiences worldwide with high-octane performances since 2010. Be sure to catch Simply Three at upcoming appearances. Link to their website for more information on the new album Undefined: https://simplythreemusic.com/
The electrifying trio of Zack Clark, Glen McDaniel, and Nick Villalobos, together known as Simply Three, have been captivating audiences worldwide with high-octane performances since 2010. Be sure to catch Simply Three at upcoming appearances. Link to their website for more information on the new album Undefined: https://simplythreemusic.com/
The electrifying trio of Nick Villalobos, Glen McDaniel, and Zack Clark, together known as Simply Three, have been captivating audiences worldwide with high-octane performances since 2010. Be sure to catch Simply Three at upcoming appearances. Link to their website for more information on the new album Undefined: https://simplythreemusic.com/
Donald Waugh, multi-instrumentalist and one-man-band wonder, is embarking on his first world tour in June. Starting in Nashville, Tennessee, he will continue on to many European cities throughout the summer. Be sure to check out Donald’s amazingly charming and thoughtful songs live. His newest release “Feel Brand New” and all tour dates available at his website https://donaldwaugh.com/.
Those who have been following his career know that Bakithi Kumalo joined Paul Simon’s band in 1985 and has performed with him ever since. His playing on Simon’s album Graceland became one of the iconic bass performances of all time. In February, Simon announced Homeward Bound – The Farewell Tour, the final phase of his fifty-year performance career. Kumalo will accompany him on this tour, as he has for the last thirty years. He plays an array of NS instruments, including the CR5 RADIUS bass guitar and the NXT4 electric upright bass.
Last October we had the pleasure of capturing highlights of time spent between Bakithi and Ned Steinberger at Ned’s studio and workshop in Maine. In the course of their conversation, Ned shared his thoughts on instrument design and the relationship between designer and musician. Bakithi played and shared his own thoughts on Ned’s instruments, including some of his experimental creations.
This is a must-watch video for any fan of Bakithi or Ned, and fascinating for anyone who thinks deeply about music.
From his Maine workshop, instrument designer Ned Steinberger is reinventing the tools of music’s superstars
WRITTEN BY JIM REILLY • PHOTOGRAPHED BY ERIC ROTH
Ned Steinberger’s workshop in Nobleboro, Maine, stands beside the family home he shares with wife, Denise, and their two teenage sons. Originally a barn, the structure dates to the mid-1800s. After years of neglect, it was torn down in the early 1980s but rebuilt on the same foundation to the original specifications. In 1997, when the Steinbergers moved in, Ned, a musical instrument designer, modernized. He added a second floor that serves as a listening room and sound laboratory. On the main floor, which received only a few necessary modifications, violin necks, electric-guitar pickups, and projects both in progress and set aside fight for space with clamps, jigs, and soldering irons. “My work spaces have always been practical in nature,” he says. “They’re certainly not neat.”
From the outside, the shop blends into the rural Maine landscape. On the inside, it looks like countless other woodshops — but looks can be deceiving. This is a laboratory where, with the analytical mind of a scientist and the creative heart of an artist, Steinberger pushes the boundaries of musical instrument design.
More simply, Steinberger makes tools, some of the best of their kind. His tools have found their way into the hands of some of the world’s best-known musicians, who in turn have created every kind of music imaginable and some that defies belief.
When discussing Steinberger’s instruments, renowned bassist Tony Levin, who has shared the stage with artists ranging from Peter Gabriel to King Crimson to John Lennon, says, “If you’re a bass player and you go into a studio and you play just one note, one big, low note, and the engineer goes ‘Wow — I love this,’ and the artist goes ‘Wow — I love this,’ and the producer says, ‘I’m so glad I got you, Tony,’ it’s the sound of the instrument, not me.” That’s the Steinberger sound.
Much like his workshop, which is built on its centuries-old foundation, Steinberger took the fundamental aspects of acoustic bowed instruments and evolved their design so that they are every bit as powerful onstage as electric guitars and basses. His stable of instruments has grown to include a violin, viola, cello, double bass, the unique “Omni Bass” (which combines the features of an upright bass with the size and feel of a bass guitar), and the headless Radius electric bass guitar. Awards and industry recognition have been constant since the first electric upright in 1990. The Radius bass guitar recently won “Best in Show” at this year’s National Association of Music Merchants winter trade show.
As a teenager in his father’s basement woodshop in their Hastings-on-Hudson, New York, home, Steinberger eschewed plans in favor of creativity. If he wanted to make a chair, he’d take one apart, study it from all angles, and use that as the jumping-off point for his own model. He learned by doing and questioning, always asking why and how things worked. He came across that mind-set honestly. His father, physicist Jack Steinberger, is a Nobel Prize recipient. His mother, Joan Beauregard, was a celebrated artist. As with any true inventor, it’s impossible to separate the science of his work from its art. Both drive his passion for exploring questions of sound, form, and function
Next, he made electric guitars and basses under his own name. Some of rock’s best musicians, including Sting, Eddie Van Halen, The Rolling Stones’ Bill Wyman, Mike Rutherford, The Who’s John Entwistle, Rush’s Geddy Lee, and David Bowie, played Steinberger guitars. In 1987, Ned sold the rights to those instruments, along with the brand name Steinberger, to the Gibson guitar company.
That sale allowed Ned to create a new company, NS Design, and to go back to his first love: designing innovative instruments. NS Design’s work grace the stages of an equally impressive and growing list of musicians. Some, like virtuosos Charles Yang, the DaPonte String Quartet, and David Darling, value the instruments’ ability to sound like their traditional acoustic counterparts. A Paul Simon bassist, Bakithi Kumalo, values their unique voice. “I want people to be able to recognize that it’s me playing right away,” he says. Others, like Laurie Anderson, Margot Lane, chart-topping pop band Clean Bandit’s Grace Chatto, Les Claypool, and Living Colour’s Doug Wimbish, love the way the instruments can take on effects like distortion and reverb and sound every bit as massive as Jimi Hendrix’s electric guitar.
Originally a furniture designer and custom cabinetmaker, Steinberger made his very first instrument, a bass guitar, for luthier Stuart Spector in 1976. It is still Spector’s most popular model.
NS Design’s 51 models, ranging in price from $849 for an entry-level violin to $7,200 for a top-of-the-line upright bass, are made in the Czech Republic and Asia. This leaves Steinberger free to keep asking questions and pushing boundaries in his Nobleboro shop. As Steinberger says, “It’s a continuing quest!”
Recently awarded this year’s Benny Golson Award by Mayor Jim Kenney of Philaldelphia, PA, renowned jazz bassist Jamaaladeen Tacuma, presents the fourth annual Outsiders Improvised & Creative Music Festival. This year’s 3-event festival continues its mission of showcasing diverse styles of risk-taking, progressive music and groundbreaking artists on April 6th, 15th and 29th for Philadelphia’s Jazz Appreciation Month. Featuring Tacuma along with headliner Ornette Coleman’s PRIME TIME led by Denardo Coleman and FREE FORM FUNKY FREQS trio with G. Calvin Weston and Guitarist Vernon Reid.
For more information contact:
Gary Byers, NS Design
NOBLEBORO, MAINE (January 23, 2018) – Ned Steinberger’s approach to the RADIUS series, as with every new instrument, has been to re-explore each facet of a bass guitar, leading to innovations that provide the player with amazing physical comfort, exceptional performance and unparalleled versatility. The new NXTa brings together the brilliant ergonomics of the headless neck and body configuration, the NS self-clamping tuning system, custom NS/EMG™ pickups, volume-volume-tone controls, and the battery-free Dual Mode Output electronics made for NS by Mi-Si™. Fretted or fretless, 4 string (NXT4a) or 5 string (NXT5a), the NXTa Radius Bass Guitar is beautifully crafted in the Czech Republic and is made from solid, straight grain maple, with maple face (Satin Black model) or flame maple face (Sunburst model).
Here is a top-down look at four key elements which set the NXTa Radius apart from other basses: NXTa Radius Neck
The headless, bolt-on maple neck has 24 frets, a 34” scale for the NXT4a and 35″ scale for the NXT5a, and a familiar 15” radius. A volute provides thumb reference at the nut. String slots in the aluminum headplate eliminate the need for a headstock with heavy tuning machines. Conveniently accessed from the top of the neck, the steel double-action reinforcing truss rod, gives both rigidity and precise relief control.
NS Diradial™ Body
The concave back profile provides a sense of comfort and stability against the torso. The front of the instrument is more tightly radiused, which, in with the general wedge shape of the body, creates a more comfortable orientation to the right hand. The configuration of the body cutaway provides easy access to the highest frets.
Perfectly balanced, the NXTa has no downward dip of the neck, for effortless left-hand freedom. Combined, the shape, balance and light weight (the NXT4a is just 7.8 lbs) make this instrument incredibly comfortable to play.
Dual Mode (Active/Passive) Output Electronics
The NS/EMG Radius features custom magnetic pickups with a radiused top and magnetic structure designed to optimally capture the full richness of tone from every string. The controls are a familiar Volume-Volume-Tone configuration. The Tone control is also a push-pull knob, used to select between the NXTa’s active or passive output modes. The active mode is battery-free; the special supercapacitor-based circuitry charges in 60 seconds to deliver active output for 16 hours from the time of the charge. The instrument is supplied with an AC charger which plugs into the guitar’s output jack.
Patented Self-Clamping Tuning System
Fast and simple, this self-clamping precision tuning system is integrated into the body of the RADIUS. Any standard single-ball end, full-scale bass guitar string can be used – simply rotate the knurled knob for a quick string change and to bring it to precise pitch.
Photos of the NXTa are available for press download at this link.
Founded in 1990 by noted instrument designer Ned Steinberger, NS Design also offers a wide range of electric bowed string instruments and accessories, including EU, CR, NXT and WAV series. NS Design is headquartered in Nobleboro, Maine. For more information, email firstname.lastname@example.org, visit http://thinkNS.com, or call +1 (207) 563-7705.
A generation of musicians has come of age since NS Design founder Ned Steinberger revolutionized the electric bass in the early 1980s. In this in-depth article, MusicRadar.com’s Jim Reilly explores the history of the original “headless” Steinberger basses and guitars, and traces Ned’s journey from those early instruments to NS Design’s innovative product line of today.
In the world of bass guitar design, the name Ned Steinberger conjures up many different images. Some people envision Sting or Jamaaladeen Tacuma jumping around, playing an odd-looking bass with a huge sound and incongruously tiny body.
Others see Tony Levin strutting across Peter Gabriel’s stage with an electric upright. Still others picture Grace Chatto bowing an electric cello with pop sensation Clean Bandit.
For those really in the know, the name Ned Steinberger brings to mind not only those images but also pictures of a bass with a curved, ergonomic body – and a huge number of players and fellow instrument builders inspired by that design. Ned’s designs are all those things and much more.
His story, at its heart, is one of a true designer – someone inspired by problems, who when he or she gets hold of a good one, won’t let go until a solution has been found. In Ned’s words, “I get obsessed with a problem. I say to myself, over and over, ‘There has got to be a way to do this!’ Finding a new and better solution to something – something that hasn’t been done before – is what excites me.”
To really make sense of Ned’s achievements in electric bass design and understand what makes his new electric bass – the NS Design Radius – special, we will need to go back to the mid 1970s, and a small, communal, woodworker’s co-operative in Brooklyn, New York.
Performance by Jon Boogz and Lil Buck at TED2017 – The Future You, April 24-28, 2017, Vancouver, BC, Canada. Photo: Bret Hartman / TED
NS Violinist Jason Yang follows his creative instincts into innovative musical territory. As a young classical violinist growing up in New Jersey, Yang enjoyed performing with the Philadelphia Youth Orchestra. He broadened his interests beyond classical music while at the University of Southern California, where he met musicians who sparked his interest in composing and improvisation.
Yang began composing, arranging, and teaching, and developed his own unique style. In 2007, he began playing the NS Design CR Series Electric Violin, which expanded his sonic palette and offered a new array of technical possibilities. Jason’s performances came to encompass a variety of genres, bound together by technological innovation and his deft, playful musicianship.
Yang is pictured here at NAMM 2017 with his composing mentor Mick Baumeister (left), and Ned Steinberger (right), founder and designer, NS Design.
In 2008, while still at USC, he started posting YouTube videos of himself from his dorm room jamming on the CR4 with various pedals and layering effects. Layering and mixing using the NS electric violin, his acoustic violin, and other instruments, Yang constructed an orchestral base for his music. The success of his YouTube videos raised his profile among a new generation of experimental violinists. Today, his YouTube channel has 198,000 subscribers.
At Yang’s workstation, pictured in foreground: NS Design CR4 Transparent Black Cherry High Gloss Custom Electric Violin displayed on the NS Violin Caddy; background: NS Design CR4 Amber Satin Electric Violin.
After college, Jason found increasing success as a professional musician. In 2012 he joined Madonna’s MDNA World Tour as her violinist. He continues to collaborate with dancer and performance artist Lil Buck, who also tours with Madonna. Lil Buck and Yang have also performed together on The Colbert Report, and recently at TED2017, in the premier of a performance as MAI: Movement Art Is, co-led by dancer/choreographer John Boogz. That work, “A Dance to Honor Mother Earth”, combined dance, spoken word, and Native American song and music performed by Yang on the CR Violin.
Performance by Jon Boogz and Lil Buck at TED2017 – The Future You, April 24-28, 2017, Vancouver, BC, Canada. Photo: Ryan Lash / TED
Watch the full performance here:
Jason has played the CR Violin for almost a decade. In his own words, the instrument is “hands down the best electric violin available … sound, response, design, build quality, dependability.” Jason goes wireless in his live performances, with a wireless pack in to his CR, and wireless in-ears for monitoring. He uses Boss pedals and loop stations for his effects.
Here’s another example of what Jason does so well, in what he describes as: “Spontaneous 100% freestyle jam of Moonlight Sonata. With a lil’ bit of distortion…” in a video post with fellow Movement Art Is collaborator, John Boogz:
Recently Amazon.com approached Yang to host his own live streaming channel on their online streaming service TwitchCreative. Growing out of TwitchTV, which originally focused on live-stream gaming, TwitchCreative has channels for music, cooking, painting, and crafts.
Jason’s live shows feature jamming, requests from among his 14,000 followers and guest appearances by other artists he hosts from his living room studio. Some of the most popular streams include work with ChewieMelodies, The Luck, Cellist Mariko, and several collaborations with his sister, pianist Pauline Yang.
For more information about the CR Series Electric Violins that Jason plays and the entire selection of NS Bowed Electric Instruments, including the new Eco-friendly and battery free NXTa or the affordable and road-worthy WAV Series or to see a selection of our Custom CR Series Finishes, and available accessories for the NS Electric Violin, please visit our website: ThinkNS.com.
For those of you returning to school this September, put fiery bounce in your bow by developing your “chop” percussion techniques on your violin, viola, cello or upright bass.
Starting as what was called the “chunk” technique and made popular by the father of Bluegrass, Bill Monroe, “chopping” has quickly become a fun and funky way for players to keep the groove moving. Bill Monroe’s fiddler Richard Greene (pictured below) further developed the “chop” technique into his own artful musical language.
Be sure to check out an excerpt from his guest appearance at the Strings Without Boundaries Summer 2016 Session in Seattle, Washington:
With much anticipation from fans and followers, NS Cellist Katie Larson and her Indie Folk-Rock band The Accidentals are celebrating their recent signing as Sony Materworks Artists and the release of a new album, Odyssey.
The Odyssey Album Release Tourkicked off in New York City and continues with several dates throughout the US, continuing into Canada, back to their beloved Michigan and beyond. With many musical stories to tell along the way, be sure to check out a show and share their journey.
“The Accidentals draw inspiration from just about every kind of music you can think of, but it really doesn’t matter what you label them as long as your label contains the word ‘great’.” -“45 of the Best Up & Coming Rock Bands to Check Out in 2017,” GoodDeedSeats
Katie Larson along with bandmate Savannah Buist, violinist/vocalist, are both multi-instrumentalists, and combined with the talents of singer/songwriter/drummer/percussionist Michael Dause, The Accidentals provide an edgy and energetic soundscape that renowned musicians have noticed and that audiences around the country respond to.
Photo credit: Max Sharp
“The musicianship and delicate preciseness to their music is unparalleled to anything else we’ve heard from talents of this age.” Raves from theAnn Arbor Indie Music Examiner
This hardworking young trio have toured extensively as supporting acts and have also joined the stage with some of the greats. The list is both diverse and impressive: Martin Sexton, Brandi Carlile, Joan Baez, Arlo Guthrie, Keller Williams, Andrew Bird, Dar Williams, Ladysmith Black Mambazo, Rusted Root, The Wailers, and so on.
“Displaying a genre-hopping range of influence and some smart songwriting skills to go with their abundant musical chops.”-“SXSW: 7 Breakout Acts”, BillboardMagazine
The Accidentals first single released from Odyssey is called “KW”. Check out an exciting live version of “KW” from Founders Brewery featuring Katie moving and grooving with her NS CR Cello and NS Frame Strap System. In Katie’s own words: “The NS Design cello and harness system are so versatile in design and tone that they lend themselves to any situation; jazz jams, symphony concerts, outdoor music festivals, theater shows, house concerts, punk clubs, etc. I’ve used it in every situation and I’ve never had this much fun playing cello.”
For more information about the NS Cellos Larson plays and the entire family of NS instruments, including our newly released affordable and road worthy WAV Cello Series and the new high-performance Eco-friendly active NXTa’s, visit ThinkNS.com.
The NS WAV Omni Bass combines the feel and tonal character of an electric upright bass with the ease and familiarity of the 34” scale, bridging the divide between an EUB and a bass guitar. This innovative and exhilarating instrument is one of the clearest examples of the raw conceptual energy which Ned Steinberger brings to his work. The WAV offers the combination of design, performance and affordability exceeding any other instrument in its class and true to the NS tradition, the WAV captures the essence of an acoustic, yet opens up an exciting range of new possibilities. It’s a pleasure to play!
WAV4 – 4 STRING (EADG) WAV5 – 5 STRING (BEADG)
Tuned in fourths, the fingering positions and spacing are identical to the bass guitar, and therefore immediately familiar to any bass player. The Omni Bass can also be tuned in fifths, CGDA (low to high) for 4 string, CGDAE for 5 string.
Maple Neck and Body
For rich tone, strength and visual grace.
Asymmetrical relief for easy playability, even in the highest positions. The fingerboard radius at the nut is 9-1/4 inches for more familiar feel for the bass guitarist. For ease of bowing, the radius at the bridge end of the fingerboard is tighter, 2 inches.
NS Polar™ Pickup System
The great natural sound of our Polar directional piezo passive pickup system responds selectively to either vertical vibration (for the sustained plucked sound, like an electric bass guitar), or lateral vibration (for dynamic bowing, and a percussive plucked sound). Battery-free operation. Volume and Tone controls; Pizzicato / Arco select switch.
Adjustable Bridge and Two-Way Truss Rod
Tweak the neck curvature and string heights to suit your music and playing style.
Boomerang™ Strap System
This standard support system has a pivoting friction hub that holds the instrument firmly in place close to the body. Attached with a guitar style strap to its two support arms, the system allows the instrument to be moved into virtually any position in relation to the hands and body as it is played. Weight is .45 kg (1 lbs.).
Whether you’ve just unboxed your new NS Violin, plugged in your acoustic for the first time, or are just ready to unleash into new territory on the instrument you already love to play, these exciting iNSights will take your playing to another level and help you stand out in any performance setting.
Chord connection fills, textural ghost notes, chopping techniques, and incorporating guitar and horn like riffs to electrify your string sound, Lieberman highlights a range of suggestions for expanding your violin’s voice using several alternative techniques.
This fourth edition includes a bonus interview with violinist Papa John Creach of Jefferson Airplane and Hot Tuna. Papa John is an exciting and unique violinist and performer that understands how to truly stand out on a stage. In the interview, he talks about how to “Get Down, Get Dirty and Give it some Guts” on your electric.
Joining him with an NXT Electric Cello is fellow multi-instrumentalist, composer and tour mate Mark Stewart who has been recording and touring with Paul Simon since the late 1990’s. Stewart is also one of the All-Star musicians inBang on a Can, awarded Musical America’s Ensemble of the Year and heralded as “the country’s most important vehicle for contemporary music” by the San Francisco Chronicle. Mark is also a member of Steve Reich & Musicians and the comic duo Polygraph Lounge with Rob Schwimmer and in 2013 was in a year-long residency at MIT in the Glass Lab teaching students to design and create a glass orchestra.
Photos: Bakithi Kumalo and Mark Stewart in rehearsal for tour with Paul Simon.
Watch: Paul Simon‘s debut performance at Austin City Limits with “Wristband” from his album Stranger to Stranger. The album is described by Andy Greene of Rolling Stone as “an experimental album heavy on echo and rhythm that fuses electronic beats with African woodwind instruments, Peruvian drums, a gospel music quartet, horns and synthesizers.” A great showcase for Kumalo’s talents, who opens this funny song playing his NXT Upright.
Watch: Bass Musician Magazine Interviewwith Bakithi Kumalo in which he describes how he got his start on stage at just 7 years old playing a Gibson bass in his uncle’s band in South Africa; his ultimate respect for finding the tone, the most influential bassists for him and his willingness to share lessons he has learned along the way to a successful career playing his music for audiences around the world. And at 22:00 in this interview…see and hear the slap sound technique he’s having fun with these days on his CR5 RADIUS Bass Guitar, it’s a real treat and is as fun, adventurous and masterful as Kumalo himself. Enjoy!