From Winter NAMM 2019 NS Artist Donald Waugh’s Review of the NS RADIUS Bass Guitar

Donald on the WAV Radius Bass from NS Design!

From the NS Design Booth at Winter NAMM 2019, here is NS Artist Donald Waugh’s Review of the NS RADIUS Bass Guitar with NS Design’s founder and award winning designer, Ned Steinberger:

“It’s not very often I play instruments that make me not want to stop playing… the WAV Radius Bass is one of those instruments. The NS Design bass guitars are all very beautifully designed, with a lot of tone options. The thing that stuck out most to me was the piezo pickup system that Ned Steinberger designed himself. It is not only dynamic, but also very warm; a unique blend of shimmering brights and deep lows. Don’t take my word for it, listen to the sound for yourself. Enjoy the video!” – Donald Waugh

For more of his reviews, music and what’s new from Donald, visit https://donaldwaugh.com/

For more information about the RADIUS Bass Guitar Series from NS, visit: https://thinkns.com/instrument/the-ns-design-radius-bass-guitar/


Ned Steinberger, NS Design Founder, Keynote Speaker at 2nd Annual Maine Luthiers Exhibition & Music Showcase

October 12 – 14, 2018, Hallowell, Maine welcomes you to celebrate the craft of lutherie at the 2nd Annual Maine Luthiers Exhibition and Music Showcase at central Maine’s “New Orleans on the Kennebec”, with a gallery exhibition of Maine made instruments, craft demonstrations, and great live performances at auditoriums, restaurants, and pubs in the most charming, and rocking, downtown north of Portland.

Friday night’s reception at City Hall includes a meet and greet with Ned Steinberger, our keynote speaker and an internationally recognized innovator in musical instrument design and construction.  He is an incredible example of innovative intellectual property producer who lives and works in Maine, and is part of an international manufacturing network.

The 2nd Annual Maine Luthiers Exhibition and Music Showcase is brought to you by the City of Hallowell, in partnership with The Harlow Gallery and Maine Craft Weekend, and funded in part by a grant from the Maine Arts Commission, an independent state agency supported by the National Endowment for the Arts.

Friday Night Welcoming at Hallowell City Hall

  • Keynote Speaker: Ned Steinberger, internationally recognized stringed instrument design innovator, City Hall Auditorium, 6:30 PM, with VIP reception at 5:30.  General seating starts at 6 PM.
  • Featured Performers: Adam Frederick, bassist, NS Design Featured Endorser, City Hall Auditorium, 7:30 PM; The Katie Matzell Band, City Hall Auditorium, 8:00 PM

NS Artist Adam Frederick with the Fretless Sunburst NXT5a RADIUS

Music and woodworking vendors and demonstrations including:

  • Bourgeois Guitars, Hallowell City Hall
  • Kennebec Instrument and Amplifier, Hallowell City Hall
  • Carter Ruff, Luthier, Hallowell City Hall
  • Shelter Tool, Hallowell Bandstand (next to The Harlow)

All days Featuring:

  • Maine-Made Stringed Instrument Exhibition at The Harlow
  • Raffle drawings for great stringed instruments including a NS Design WAV4 Radius electric bass guitar and a Yamaha Revstar RS502 electric guitar
  • Music Performances in Downtown Venues throughout the weekend

Visit http://hallowell.org/luthiers/ for more details and to reserve your tickets!


NS Design 5-String NXTa Radius Bass Guitar Review

Bass Musician Magazine

NS Design 5-String NXTa Radius Bass Guitar Review

Author : Ty Campbell
Date : 10-09-2018

New from NS Design is the NXTa Radius Bass Guitar.

If you aren’t familiar with NS Design instruments, you should know the NS abbreviation stands for Ned Steinberger. The way I see it, Leo Fender introduced us to the electric bass and Ned Steinberger has taken what Leo has done and added engineering and innovation not only to the electric bass, but many other instruments produced by Ned and his great team at NS Design. Ned is the designer of the famous Spector NS basses. What Ned Steinberger does for any of his instruments takes years of research and development until everything is just right and his ideas and innovation are turning up in other manufacturers’ instruments later on.

The NXTa Radius is an innovative and engineering work of art, beauty, and tone to perfection.

Read the full article on Bass Musician Magazine’s website: https://bassmusicianmagazine.com/2018/09/ns-design-5-string-nxta-radius-bass-guitar-review/


A Conversation with Bakithi Kumalo and Ned Steinberger

Those who have been following his career know that Bakithi Kumalo joined Paul Simon’s band in 1985 and has performed with him ever since. His playing on Simon’s album Graceland became one of the iconic bass performances of all time. In February, Simon announced Homeward Bound – The Farewell Tour, the final phase of his fifty-year performance career. Kumalo will accompany him on this tour, as he has for the last thirty years. He plays an array of NS instruments, including the CR5 RADIUS bass guitar and the NXT4 electric upright bass.

Last October we had the pleasure of capturing highlights of time spent between Bakithi and Ned Steinberger at Ned’s studio and workshop in Maine. In the course of their conversation, Ned shared his thoughts on instrument design and the relationship between designer and musician. Bakithi played and shared his own thoughts on Ned’s instruments, including some of his experimental creations.

This is a must-watch video for any fan of Bakithi or Ned, and fascinating for anyone who thinks deeply about music.

For additional footage of their day together at Ned’s workshop and studio, please visit the NS Design YouTube Channel.


The String Theorist Ned Steinberger Design New England Magazine – May/June 2018

The String Theorist
From his Maine workshop, instrument designer Ned Steinberger is reinventing the tools of music’s superstars

 

 

 
Ned Steinberger’s workshop in Nobleboro, Maine, stands beside the family home he shares with wife, Denise, and their two teenage sons. Originally a barn, the structure dates to the mid-1800s. After years of neglect, it was torn down in the early 1980s but rebuilt on the same foundation to the original specifications. In 1997, when the Steinbergers moved in, Ned, a musical instrument designer, modernized. He added a second floor that serves as a listening room and sound laboratory. On the main floor, which received only a few necessary modifications, violin necks, electric-guitar pickups, and projects both in progress and set aside fight for space with clamps, jigs, and soldering irons. “My work spaces have always been practical in nature,” he says. “They’re certainly not neat.”

From the outside, the shop blends into the rural Maine landscape. On the inside, it looks like countless other woodshops — but looks can be deceiving. This is a laboratory where, with the analytical mind of a scientist and the creative heart of an artist, Steinberger pushes the boundaries of musical instrument design.

More simply, Steinberger makes tools, some of the best of their kind. His tools have found their way into the hands of some of the world’s best-known musicians, who in turn have created every kind of music imaginable and some that defies belief.

When discussing Steinberger’s instruments, renowned bassist Tony Levin, who has shared the stage with artists ranging from Peter Gabriel to King Crimson to John Lennon, says, “If you’re a bass player and you go into a studio and you play just one note, one big, low note, and the engineer goes ‘Wow — I love this,’ and the artist goes ‘Wow — I love this,’ and the producer says, ‘I’m so glad I got you, Tony,’ it’s the sound of the instrument, not me.” That’s the Steinberger sound.

Much like his workshop, which is built on its centuries-old foundation, Steinberger took the fundamental aspects of acoustic bowed instruments and evolved their design so that they are every bit as powerful onstage as electric guitars and basses. His stable of instruments has grown to include a violin, viola, cello, double bass, the unique “Omni Bass” (which combines the features of an upright bass with the size and feel of a bass guitar), and the headless Radius electric bass guitar. Awards and industry recognition have been constant since the first electric upright in 1990. The Radius bass guitar recently won “Best in Show” at this year’s National Association of Music Merchants winter trade show.

 

 

 
As a teenager in his father’s basement woodshop in their Hastings-on-Hudson, New York, home, Steinberger eschewed plans in favor of creativity. If he wanted to make a chair, he’d take one apart, study it from all angles, and use that as the jumping-off point for his own model. He learned by doing and questioning, always asking why and how things worked. He came across that mind-set honestly. His father, physicist Jack Steinberger, is a Nobel Prize recipient. His mother, Joan Beauregard, was a celebrated artist. As with any true inventor, it’s impossible to separate the science of his work from its art. Both drive his passion for exploring questions of sound, form, and function

Next, he made electric guitars and basses under his own name. Some of rock’s best musicians, including Sting, Eddie Van Halen, The Rolling Stones’ Bill Wyman, Mike Rutherford, The Who’s John Entwistle, Rush’s Geddy Lee, and David Bowie, played Steinberger guitars. In 1987, Ned sold the rights to those instruments, along with the brand name Steinberger, to the Gibson guitar company.

That sale allowed Ned to create a new company, NS Design, and to go back to his first love: designing innovative instruments. NS Design’s work grace the stages of an equally impressive and growing list of musicians. Some, like virtuosos Charles Yang, the DaPonte String Quartet, and David Darling, value the instruments’ ability to sound like their traditional acoustic counterparts. A Paul Simon bassist, Bakithi Kumalo, values their unique voice. “I want people to be able to recognize that it’s me playing right away,” he says. Others, like Laurie Anderson, Margot Lane, chart-topping pop band Clean Bandit’s Grace Chatto, Les Claypool, and Living Colour’s Doug Wimbish, love the way the instruments can take on effects like distortion and reverb and sound every bit as massive as Jimi Hendrix’s electric guitar.

Originally a furniture designer and custom cabinetmaker, Steinberger made his very first instrument, a bass guitar, for luthier Stuart Spector in 1976. It is still Spector’s most popular model.

NS Design’s 51 models, ranging in price from $849 for an entry-level violin to $7,200 for a top-of-the-line upright bass, are made in the Czech Republic and Asia. This leaves Steinberger free to keep asking questions and pushing boundaries in his Nobleboro shop. As Steinberger says, “It’s a continuing quest!”

http://www.designnewengland.com/

NS Design; thinkns.com. Steinberger: A Story of Creativity and Design by Jim Reilly will be published this fall by TwoHanded Press.


Featured Artist: Jamaaladeen Tacuma

Recently awarded this year’s Benny Golson Award by Mayor Jim Kenney of Philaldelphia, PA, renowned jazz bassist Jamaaladeen Tacuma, presents the fourth annual Outsiders Improvised & Creative Music Festival. This year’s 3-event festival continues its mission of showcasing diverse styles of risk-taking, progressive music and groundbreaking artists on April 6th, 15th and 29th for Philadelphia’s Jazz Appreciation Month. Featuring Tacuma along with headliner Ornette Coleman’s PRIME TIME led by Denardo Coleman and FREE FORM FUNKY FREQS trio with G. Calvin Weston and Guitarist Vernon Reid.

For tickets and venues visit:  https://www.jamaaladeenmusic.com/

Jamaaladeen plays a WAV RADIUS Bass Guitar and WAV Electric Upright Bass.

More about Jamaaladeen . . .


NS Artist Noor Che’ree Joins the Spring 2018 “I Believe You” Tour and Clinic Featuring Emiko

 

NS Design Bassist Noor Che’ree is embarking on the “I Believe You 2018 Tour” with Rock-Pop musician Emiko. The National Tour begins on March 21, 2018. Along with drummer Lee Piatelli, the trio will play a series of shows throughout the US. In May 2018, Emiko Asia Tour will play in Tokyo, Hong Kong, Taiwan, Bantam Border Stage Festival, The World Youth Jazz Festival (Kuala Lumpur), and Jakarta, Indonesia.

While on their US tour this spring, Che’ree and Emiko will hold the ‘Emiko LIVE! Songwriting & Instrument Demo Clinic Series’ at select Sam Ash Music Store locations around the country. Che’ree is representing NS Design, along with Emiko and her brand partner Hammond Organ USA. They will share their experiences and process in the music creation process, from concept to writing to performance and recording.

Along with sharing his insights and tips, Noor will demonstrate the versatility of the NS Basses and various types of available bass sounds from the RADIUS Bass Guitar. Attendees are welcomed to play the instruments and take part in the process during the clinic.

Don’t miss this unique opportunity to learn and work with Che’ree and Emiko. Visit the Sam Ash Events Calendar at for a current list of locations, dates and times.

For tour dates and locations for the “I Believe You 2018 Tour” with Emiko visit her website: www.emikomusic.com

For more information about Noor Che’ree visit www.noorcheree.com


NS Design Unveils the New NXTa RADIUS Bass by Ned Steinberger

 

FOR IMMEDIATE RELEASE

For more information contact:
Gary Byers, NS Design
636-579-0908
garyb@nedsteinberger.com

NOBLEBORO, MAINE (January 23, 2018) – Ned Steinberger’s approach to the RADIUS series, as with every new instrument, has been to re-explore each facet of a bass guitar, leading to innovations that provide the player with amazing physical comfort, exceptional performance and unparalleled versatility. The new NXTa brings together the brilliant ergonomics of the headless neck and body configuration, the NS self-clamping tuning system, custom NS/EMG™ pickups, volume-volume-tone controls, and the battery-free Dual Mode Output electronics made for NS by Mi-Si™. Fretted or fretless, 4 string (NXT4a) or 5 string (NXT5a), the NXTa Radius Bass Guitar is beautifully crafted in the Czech Republic and is made from solid, straight grain maple, with maple face (Satin Black model) or flame maple face (Sunburst model).

Here is a top-down look at four key elements which set the NXTa Radius apart from other basses:
NXTa Radius Neck
The headless, bolt-on maple neck has 24 frets, a 34” scale for the NXT4a and 35″ scale for the NXT5a, and a familiar 15” radius. A volute provides thumb reference at the nut. String slots in the aluminum headplate eliminate the need for a headstock with heavy tuning machines. Conveniently accessed from the top of the neck, the steel double-action reinforcing truss rod, gives both rigidity and precise relief control.

NS Diradial™ Body
The concave back profile provides a sense of comfort and stability against the torso. The front of the instrument is more tightly radiused, which, in with the general wedge shape of the body, creates a more comfortable orientation to the right hand. The configuration of the body cutaway provides easy access to the highest frets.

Perfectly balanced, the NXTa has no downward dip of the neck, for effortless left-hand freedom. Combined, the shape, balance and light weight (the NXT4a is just 7.8 lbs) make this instrument incredibly comfortable to play.

Dual Mode (Active/Passive) Output Electronics
The NS/EMG Radius features custom magnetic pickups with a radiused top and magnetic structure designed to optimally capture the full richness of tone from every string. The controls are a familiar Volume-Volume-Tone configuration. The Tone control is also a push-pull knob, used to select between the NXTa’s active or passive output modes. The active mode is battery-free; the special supercapacitor-based circuitry charges in 60 seconds to deliver active output for 16 hours from the time of the charge. The instrument is supplied with an AC charger which plugs into the guitar’s output jack.

Patented Self-Clamping Tuning System
Fast and simple, this self-clamping precision tuning system is integrated into the body of the RADIUS. Any standard single-ball end, full-scale bass guitar string can be used – simply rotate the knurled knob for a quick string change and to bring it to precise pitch.

Photos of the NXTa are available for press download at this link.

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Founded in 1990 by noted instrument designer Ned Steinberger, NS Design also offers a wide range of electric bowed string instruments and accessories, including EU, CR, NXT and WAV series. NS Design is headquartered in Nobleboro, Maine. For more information, email info@nedsteinberger.com, visit http://thinkNS.com, or call +1 (207) 563-7705.

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Weights & Measures NXT4a NXT5a
Overall Length 41.5″ 42.25″
Body Length 20.8″ 20.8″
Neck scale 34″ 35″
Neck radius 15″ 15″
Bridge Spacing 19 mm 18 mm
Nut Width 1.60″ 1.85″
12th Fret Width 2.2″ 2.5″
Weight 7.8 lbs 8.6 lbs

 

 


How Ned Steinberger redesigned the bass world. In-depth with bass’s headless horseman -By Jim Reilly

A generation of musicians has come of age since NS Design founder Ned Steinberger revolutionized the electric bass in the early 1980s. In this in-depth article, MusicRadar.com’s Jim Reilly explores the history of the original “headless” Steinberger basses and guitars, and traces Ned’s journey from those early instruments to NS Design’s innovative product line of today.

Read the full article here.

How Ned Steinberger redesigned the bass world

In-depth with bass’s headless horseman

By Jim Reilly (Bass Guitar)

In the world of bass guitar design, the name Ned Steinberger conjures up many different images. Some people envision Sting or Jamaaladeen Tacuma jumping around, playing an odd-looking bass with a huge sound and incongruously tiny body.

Others see Tony Levin strutting across Peter Gabriel’s stage with an electric upright. Still others picture Grace Chatto bowing an electric cello with pop sensation Clean Bandit.

For those really in the know, the name Ned Steinberger brings to mind not only those images but also pictures of a bass with a curved, ergonomic body – and a huge number of players and fellow instrument builders inspired by that design. Ned’s designs are all those things and much more.

His story, at its heart, is one of a true designer – someone inspired by problems, who when he or she gets hold of a good one, won’t let go until a solution has been found. In Ned’s words, “I get obsessed with a problem. I say to myself, over and over, ‘There has got to be a way to do this!’ Finding a new and better solution to something – something that hasn’t been done before – is what excites me.”

To really make sense of Ned’s achievements in electric bass design and understand what makes his new electric bass – the NS Design Radius – special, we will need to go back to the mid 1970s, and a small, communal, woodworker’s co-operative in Brooklyn, New York.

Read the rest of the article on MusicRadar.com


Introducing the NS WAV Series Omni Bass

The NS WAV Omni Bass combines the feel and tonal character of an electric upright bass with the ease and familiarity of the 34” scale, bridging the divide between an EUB and a bass guitar. This innovative and exhilarating instrument is one of the clearest examples of the raw conceptual energy which Ned Steinberger brings to his work.  The WAV offers the combination of design, performance and affordability exceeding any other instrument in its class and true to the NS tradition, the WAV captures the essence of an acoustic, yet opens up an exciting range of new possibilities. It’s a pleasure to play!

WAV4 – 4 STRING (EADG)     WAV5 – 5 STRING (BEADG)

Tuned in fourths, the fingering positions and spacing are identical to the bass guitar, and therefore immediately familiar to any bass player. The Omni Bass can also be tuned in fifths, CGDA (low to high) for 4 string, CGDAE for 5 string.

FEATURES

Maple Neck and Body
For rich tone, strength and visual grace.

TransRadius™ Fingerboard
Asymmetrical relief for easy playability, even in the highest positions. The fingerboard radius at the nut is 9-1/4 inches for more familiar feel for the bass guitarist. For ease of bowing, the radius at the bridge end of the fingerboard is tighter, 2 inches.

NS Polar™ Pickup System
The great natural sound of our Polar directional piezo passive pickup system responds selectively to either vertical vibration (for the sustained plucked sound, like an electric bass guitar), or lateral vibration (for dynamic bowing, and a percussive plucked sound). Battery-free operation. Volume and Tone controls; Pizzicato / Arco select switch.

Adjustable Bridge and Two-Way Truss Rod
Tweak the neck curvature and string heights to suit your music and playing style.

Boomerang Strap System
This standard support system has a pivoting friction hub that holds the instrument firmly in place close to the body. Attached with a guitar style strap to its two support arms, the system allows the instrument to be moved into virtually any position in relation to the hands and body as it is played. Weight is .45 kg (1 lbs.).

NS Support System Options
Includes Boomerang Strap System. Compatible with optional CR Tripod Stand or WAV/NXT Tripod Stand, Bass End Pin Stand, Bass End Pin Stand Conversion Kit or Frame Strap System.

Compact and Light Weight
WAV4 – 7 lbs.; WAV5 – 7.2 lbs.
Length: 44”. Width: 5.4”.

Padded Gig Bag
For the instrument and accessories.
Goes anywhere, any time.


NS Design Bassist Bakithi Kumalo with Paul Simon – 2017 U.S. Summer Tour

NS Bassist Bakithi Kumalo is back on tour with Paul Simon this summer playing several dates around the country throughout the month of June.  The tour kicked off June 1st in St. Augustine, FL and ends at SummerFest in Milwaukee, WI on June 30.  Don’t miss it!  Tour and ticket information can be found here: http://www.paulsimon.com/news/paul-simon-announces-us-summer-tour/

Kumalo plays a variety of NS Basses and his go-to on this summer’s tour are the WAV5 RADIUS Bass Guitar and the NXT4 Electric Upright.  He also plays the NXT Omni Bass and the CR RADIUS Bass Guitar.

Joining him with an NXT Electric Cello is fellow multi-instrumentalist, composer and tour mate Mark Stewart who has been recording and touring with Paul Simon since the late 1990’s. Stewart is also one of the All-Star musicians in Bang on a Can, awarded Musical America’s Ensemble of the Year and heralded as “the country’s most important vehicle for contemporary music” by the San Francisco Chronicle. Mark is also a member of Steve Reich & Musicians and the comic duo Polygraph Lounge with Rob Schwimmer and in 2013 was in a year-long residency at MIT in the Glass Lab teaching students to design and create a glass orchestra.

Photos: Bakithi Kumalo and Mark Stewart in rehearsal for tour with Paul Simon.

Watch:  Paul Simon‘s debut performance at Austin City Limits with “Wristband” from his album Stranger to Stranger. The album is described by Andy Greene of Rolling Stone as “an experimental album heavy on echo and rhythm that fuses electronic beats with African woodwind instruments, Peruvian drums, a gospel music quartet, horns and synthesizers.”  A great showcase for Kumalo’s talents, who opens this funny song playing his NXT Upright.

 

Watch:  Bass Musician Magazine Interview with Bakithi Kumalo in which he describes how he got his start on stage at just 7 years old playing a Gibson bass in his uncle’s band in South Africa; his ultimate respect for finding the tone, the most influential bassists for him and his willingness to share lessons he has learned along the way to a successful career playing his music for audiences around the world.  And at 22:00 in this interview…see and hear the slap sound technique he’s having fun with these days on his CR5 RADIUS Bass Guitar, it’s a real treat and is as fun, adventurous and masterful as Kumalo himself. Enjoy!

 

Watch:  Bakithi Kumalo and his quartet at 2016 Bass Bash at Winter NAMM, with special guest and fellow NS Artist Avery Merritt playing his NS Custom Exotic Top Zebrawood CR4 Electric Violin.

 

More details and features for all the NS Basses that Bakithi plays along with our new eco-friendly NXTa active series EUB’s, Omni’s, Cello’s, Violin’s and Viola’s featuring battery-free electronics are found at our website ThinkNS.com.