Odyssey Boldly with NS Cellist Katie Larson of The Accidentals on tour with a new album release as Sony Masterworks Artists

With much anticipation from fans and followers, NS Cellist Katie Larson and her Indie Folk-Rock band The Accidentals are celebrating their recent signing as Sony Materworks Artists and the release of a new album, Odyssey.

ODYSSEY ALBUM RELEASE TOUR

Here we go! The ODYSSEY Album Release Tour…Huge props to Ryan Slone New Frontier Touring for making it happen. See all the tour dates at www.theaccidentalsmusic.com #odysseyboldly

Posted by The Accidentals on Tuesday, August 8, 2017

The Odyssey Album Release Tour kicked off in New York City and continues with several dates throughout the US, continuing into Canada, back to their beloved Michigan and beyond.  With many musical stories to tell along the way, be sure to check out a show and share their journey.

“The Accidentals draw inspiration from just about every kind of music you can think of, but it really doesn’t matter what you label them as long as your label contains the word ‘great’.” -“45 of the Best Up & Coming Rock Bands to Check Out in 2017,” GoodDeedSeats

Katie Larson along with bandmate Savannah Buist, violinist/vocalist, are both multi-instrumentalists, and combined with the talents of singer/songwriter/drummer/percussionist Michael Dause, The Accidentals provide an edgy and energetic soundscape that renowned musicians have noticed and that audiences around the country respond to.

Photo credit: Max Sharp

“The musicianship and delicate preciseness to their music is unparalleled to anything else we’ve heard from talents of this age.” Raves from the Ann Arbor Indie Music Examiner

This hardworking young trio have toured extensively as supporting acts and have also joined the stage with some of the greats.  The list is both diverse and impressive: Martin Sexton, Brandi Carlile, Joan Baez, Arlo Guthrie, Keller Williams, Andrew Bird, Dar Williams, Ladysmith Black Mambazo, Rusted Root, The Wailers, and so on.

“Displaying a genre-hopping range of influence and some smart songwriting skills to go with their abundant musical chops.”-“SXSW: 7 Breakout Acts”, Billboard Magazine

The Accidentals first single released from Odyssey is called “KW”.  Check out an exciting live version of “KW” from Founders Brewery featuring Katie moving and grooving with her NS CR Cello and NS Frame Strap System.  In Katie’s own words: “The NS Design cello and harness system are so versatile in design and tone that they lend themselves to any situation; jazz jams, symphony concerts, outdoor music festivals, theater shows, house concerts, punk clubs, etc.  I’ve used it in every situation and I’ve never had this much fun playing cello.”

To find links to their new album, tour dates and much more about The Accidentals visit their website: http://www.moreaccidentals.com/

For more information about the NS Cellos Larson plays and the entire family of NS instruments, including our newly released affordable and road worthy WAV Cello Series and the new high-performance Eco-friendly active NXTa’s, visit ThinkNS.com.


Introducing the NS WAV Series Omni Bass

The NS WAV Omni Bass combines the feel and tonal character of an electric upright bass with the ease and familiarity of the 34” scale, bridging the divide between an EUB and a bass guitar. This innovative and exhilarating instrument is one of the clearest examples of the raw conceptual energy which Ned Steinberger brings to his work.  The WAV offers the combination of design, performance and affordability exceeding any other instrument in its class and true to the NS tradition, the WAV captures the essence of an acoustic, yet opens up an exciting range of new possibilities. It’s a pleasure to play!

WAV4 – 4 STRING (EADG)     WAV5 – 5 STRING (BEADG)

Tuned in fourths, the fingering positions and spacing are identical to the bass guitar, and therefore immediately familiar to any bass player. The Omni Bass can also be tuned in fifths, CGDA (low to high) for 4 string, CGDAE for 5 string.

FEATURES

Maple Neck and Body
For rich tone, strength and visual grace.

TransRadius™ Fingerboard
Asymmetrical relief for easy playability, even in the highest positions. The fingerboard radius at the nut is 9-1/4 inches for more familiar feel for the bass guitarist. For ease of bowing, the radius at the bridge end of the fingerboard is tighter, 2 inches.

NS Polar™ Pickup System
The great natural sound of our Polar directional piezo passive pickup system responds selectively to either vertical vibration (for the sustained plucked sound, like an electric bass guitar), or lateral vibration (for dynamic bowing, and a percussive plucked sound). Battery-free operation. Volume and Tone controls; Pizzicato / Arco select switch.

Adjustable Bridge and Two-Way Truss Rod
Tweak the neck curvature and string heights to suit your music and playing style.

Boomerang Strap System
This standard support system has a pivoting friction hub that holds the instrument firmly in place close to the body. Attached with a guitar style strap to its two support arms, the system allows the instrument to be moved into virtually any position in relation to the hands and body as it is played. Weight is .45 kg (1 lbs.).

NS Support System Options
Includes Boomerang Strap System. Compatible with optional CR Tripod Stand or WAV/NXT Tripod Stand, Bass End Pin Stand, Bass End Pin Stand Conversion Kit or Frame Strap System.

Compact and Light Weight
WAV4 – 7 lbs.; WAV5 – 7.2 lbs.
Length: 44”. Width: 5.4”.

Padded Gig Bag
For the instrument and accessories.
Goes anywhere, any time.


NS Artist Margot Lane – Music Director and Violinist ‘Angel’ with Corey Feldman and the Angels

NS Artist and multi-instrumentalist Margot Lane is an accomplished writer, pianist and is currently violinist, keyboardist and music director for former child actor and musician Corey Feldman’s new outfit Corey Feldman and the Angels.  Corey and the Angels includes Lane and three other musicians.  They made an impact last summer with a unique performance on the Today Show, and by doing so created a social media storm filled with criticism and accolades.

Feldman explains in an article by Brett Callwood of LA Weekly: “There’s a strong buzz, and the reviews from the first show have been fairly tremendous,” Feldman says. “It’s not rocket science. We’re not The Beatles. But there’s an importance to what we’re doing. It’s tongue-in-cheek and we’re all having fun with it, but it’s also an important and positive message: Don’t ever think that your day is done. As long as you have the fight and fire in you, you can achieve anything.”

The momentum of that particular performance last year inspired Feldman to find testing ground for an exciting and theatrical production collaborative with the ‘Angels’ in a mini-tour.  He continued to garner more attention and a full spectrum of press coverage from this new performance concept as Corey Feldman and the Angels, and a full U.S. summer tour was recently announced with several dates slated for venues all around the country.

Tour poster photographed by Maggie St. Thomas & with artwork by Chris Canote.

“Corey’s Heavenly Tour: Angelic 2 The U.S.” kicks off June 9th in Las Vegas at the Hard Rock Hotel and Casino with Margot Lane featured on the NS NXT4a Electric Violin.  She plays on hits from Feldman’s notable movies such as “Stand By Me,” “The Lost Boys” and even “The Goonies.”

Lane is no stranger to the theatrical realm and since moving to Los Angeles has written, performed and recorded soundtracks for film, worked in Asia with the Saigon Broadcasting Television Network and is also currently violinist in the Las Vegas based rock string group Bella Electric Strings.  She also has time to lead a heartland rock band called The Grey Birds and Margot Lane.

To kickoff Winter NAMM each year Michael Angelo Batio and Neil Turbin host a metal concert, an artist collective of bands and players that play in benefit to a particular charity.  Lane played her NS violin in the 9th Annual N.A.M.M. All-Star Metal Jam in benefit for the Rock Against MS Foundation.  Here’s a great shot of her from that show playing her NXTa.

For more information about Margot Lane, links to her videos, music and more check out her website:  https://www.margotlane.com/home.

For tour information and tickets for Corey’s Heavenly Tour: Angelic 2 The U.S. you can visit their official website: www.Angelic2theCore.com.

For information on the new eco-friendly active and battery-free NXTa electric violin that Margot plays and all the NS Design family of instruments visit ThinkNS.com.


The Lyonn’s Roar by Julie Lyonn Lieberman – Edition Four – “Electric Technique: The Same . . .or?”

Photo Courtesy of NS Artist Avery Merritt

Welcome to the fourth edition of THE LYONN’S ROAR, “Electric Technique:  The Same . . .or?” by NS Violinist and Educator Julie Lyonn Lieberman.

Whether you’ve just unboxed your new NS Violin, plugged in your acoustic for the first time, or are just ready to unleash into new territory on the instrument you already love to play, these exciting iNSights will take your playing to another level and help you stand out in any performance setting.

Chord connection fills, textural ghost notes, chopping techniques, and incorporating guitar and horn like riffs to electrify your string sound, Lieberman highlights a range of suggestions for expanding your violin’s voice using several alternative techniques.

Electric Technique

This fourth edition includes a bonus interview with violinist Papa John Creach of Jefferson Airplane and Hot Tuna.  Papa John is an exciting and unique violinist and performer that understands how to truly stand out on a stage. In the interview, he talks about how to “Get Down, Get Dirty and Give it some Guts” on your electric.

How else do you achieve these techniques? Attend a summer program that will help you build new skills, there are quite a few to choose from.  Check out Julie’s book, How to Play Contemporary Strings: A Step-by-Step Approach for Violin, Viola & Cello, with its video tutorials and backing tracks, it’s a sure way to gain skills and have some fun.  Visit her website for more information on all her books, DVDs and courses. http://julielyonn.com/

For more information about all of NS Design’s electric violins and electric violas and the new eco-friendly, active yet battery-free NXTa Electric Violin, or the affordable and road-worthy WAV Electric Violin visit ThinkNS.com.


NS Design Bassist Bakithi Kumalo with Paul Simon – 2017 U.S. Summer Tour

NS Bassist Bakithi Kumalo is back on tour with Paul Simon this summer playing several dates around the country throughout the month of June.  The tour kicked off June 1st in St. Augustine, FL and ends at SummerFest in Milwaukee, WI on June 30.  Don’t miss it!  Tour and ticket information can be found here: http://www.paulsimon.com/news/paul-simon-announces-us-summer-tour/

Kumalo plays a variety of NS Basses and his go-to on this summer’s tour are the WAV5 RADIUS Bass Guitar and the NXT4 Electric Upright.  He also plays the NXT Omni Bass and the CR RADIUS Bass Guitar.

Joining him with an NXT Electric Cello is fellow multi-instrumentalist, composer and tour mate Mark Stewart who has been recording and touring with Paul Simon since the late 1990’s. Stewart is also one of the All-Star musicians in Bang on a Can, awarded Musical America’s Ensemble of the Year and heralded as “the country’s most important vehicle for contemporary music” by the San Francisco Chronicle. Mark is also a member of Steve Reich & Musicians and the comic duo Polygraph Lounge with Rob Schwimmer and in 2013 was in a year-long residency at MIT in the Glass Lab teaching students to design and create a glass orchestra.

Photos: Bakithi Kumalo and Mark Stewart in rehearsal for tour with Paul Simon.

Watch:  Paul Simon‘s debut performance at Austin City Limits with “Wristband” from his album Stranger to Stranger. The album is described by Andy Greene of Rolling Stone as “an experimental album heavy on echo and rhythm that fuses electronic beats with African woodwind instruments, Peruvian drums, a gospel music quartet, horns and synthesizers.”  A great showcase for Kumalo’s talents, who opens this funny song playing his NXT Upright.

 

Watch:  Bass Musician Magazine Interview with Bakithi Kumalo in which he describes how he got his start on stage at just 7 years old playing a Gibson bass in his uncle’s band in South Africa; his ultimate respect for finding the tone, the most influential bassists for him and his willingness to share lessons he has learned along the way to a successful career playing his music for audiences around the world.  And at 22:00 in this interview…see and hear the slap sound technique he’s having fun with these days on his CR5 RADIUS Bass Guitar, it’s a real treat and is as fun, adventurous and masterful as Kumalo himself. Enjoy!

 

Watch:  Bakithi Kumalo and his quartet at 2016 Bass Bash at Winter NAMM, with special guest and fellow NS Artist Avery Merritt playing his NS Custom Exotic Top Zebrawood CR4 Electric Violin.

 

More details and features for all the NS Basses that Bakithi plays along with our new eco-friendly NXTa active series EUB’s, Omni’s, Cello’s, Violin’s and Viola’s featuring battery-free electronics are found at our website ThinkNS.com.


Introducing the NS WAV Series Electric Cello

For the cellist venturing into the world of the electric, this instrument offers the combination of design, performance and affordability exceeding any other instrument in its class. Compact and light, the WAV cello is a pleasure to travel with, but in terms of features and performance, this instrument is no lightweight. True to the NS tradition, the WAV captures the essence of an acoustic, yet opens up an exciting range of new possibilities. It’s a pleasure to play!

WAV4 – 4 string (CGDA)  WAV5 – 5 string (FCGDA)

FEATURES

Compact and Light Weight
The WAV cello is incredibly easy to travel with. WAV4 – 4.5 lbs; WAV5 – 4.7 lbs. 37″ long. Length: 37″. Width: 5.5″.

Maple Neck and Body
For rich tone, strength and visual grace.

Expertly Graduated Fingerboard
Rosewood, asymmetrical relief for easy playability, even in the highest positions. Intonation referenced with cascading dot markers.

Battery-Free NS Polar™ Pickup System
The great natural sound of our piezo-based passive pickup system. Volume and Tone controls; Pizzicato / Arco select switch. The WAV delivers beautiful, full-bodied tone, no batteries required.

Adjustable Truss Rod and Bridge
Tweak the string heights and neck relief to suit your music and playing style.

Padded Gig Bag
For the instrument, stand and accessories. Goes anywhere, anytime.

NS Support System Options
Includes cello tripod stand. Compatible with the optional NS Cello End Pin and CR Tripod Stand, Boomerang™ or the Frame Strap System.

The WAV Cello is available now from authorized NS Design dealers. Visit the dealer locator on our website to find a dealer near you. To learn more about the WAV Cello and our other NS cello models, visit the Electric Cello section of ThinkNS.com.


James “Hutch” Hutchinson – Groove Royalty

James “Hutch” Hutchinson is respected far and wide for his musical versatility and long experience playing with top-tier acts. After taking some classes at the Berklee College of Music while gigging in bands around Boston, the 17 year old decided to head out west to the San Francisco Bay Area.  He jumped at opportunities to play on sessions with Link Wray’s band and with Grateful Dead drummer Mickey Hart which lead to an opportunity to join the Quicksilver Messenger Service spin-off Copperhead, all this before he turned 20 years old.

When their album failed to find an audience the band broke up and Hutch left for Guatemala for what he expected to be just a three week visit. Three weeks turned into a year which allowed Hutch to immerse himself in Latin American culture and rhythms. Returning to the US with his Latin Jazz Fusion band The Point, Hutch got an offer to play in The Neville Brothers Band. While playing with the Neville Brothers he was introduced to Bonnie Raitt and in 1983 moved to Los Angeles to join her band after her original bassist dropped out right before she was scheduled to go on tour.

In the intervening 30 plus years, Hutch has made significant contributions to Bonnie’s sound and has co-written some of her tunes along the way. In an interview with Bass Player Magazine Hutch recalls, “Bonnie calls me her ‘musical ranger’ because I bring in all of these different influences. It’s not just that I’ve listened well and learned to play different styles, it’s that I’ve spent time living and working with the players in those communities. There are musicians in various parts of the world—blues players, country guys, even African musicians—who think of me as their style of musician. They may not even be aware of other styles I play.”

Fellow NS artist Tony Levin sums up Hutch’s musical versatility and impact on Bonnie’s records for Bass Player Magazine: “Hutch Hutchinson has never played a wrong note for Bonnie Raitt. He’s perfect for her songs.”

Hutchinson uses a variety of basses to bring the best tone and feel to his music. For songs requiring versatility in upright sound, Hutch loves NS Design’s CR Omni Bass.  Ned Steinberger created the Omni Bass to connect the sound and feel of the electric bass guitar with its familiar 34″ scale and TransRadius™ fingerboard with the tonal purity, voice and bowed or plucked response of the classic upright bass. The Omni bridges both worlds. It’s a portable and adaptable innovation that has opened up new worlds of sonic versatility and physical freedom for so many musicians like Hutch.

Hutch’s favorite go-to upright on the current Dig In Deep tour is NS Design’s high performance CR4M Upright Bass. It’s as versatile as the CR Omni, including an active EQ and mixer, EMG™ magnetic pickups and Steinberger’s patented Polar™ Piezo Pickup System, and provides all the depth of sound that a full scale double bass commands.  Hutch uses the CR4M with vintage Ampeg B-12, B-15’s; and when in the studio, the B-18 combos or the classic Ampeg SVT808’s and 8X8 matching cabinets.

NS Design founder and creator Ned Steinberger with Hutch Hutchinson

Here’s Bonnie Raitt and Co. covering a Bob Dylan classic “Million Miles”  from her 2012 album Slipstream.

With headlining tour dates in May and June around the US, Bonnie, Hutch and Co. will also be joining fellow Massachusetts-native James Taylor in select US dates in August, with a very special performance on August 11th at historic Fenway Park, home of the Boston Red Sox. Check out all tour dates and related info at:  http://www.bonnieraitt.com/tour

Learn more about James “Hutch” Hutchinson, NS Design Artists and NS Basses at thinkNS.com


The Lyonn’s Roar by Julie Lyonn Lieberman – Edition Three -“Get The Best Tone On Your Electric”

By Julie Lyonn Lieberman

Photo courtesy of Blackerby Violin Shop, Austin, Texas

Welcome to the third edition of THE LYONN’S ROAR, “Get The Best Tone On Your Electric,” with highlighting iNSights into Choosing an Electric Instrument, Amplification and Effects, and Strings and things by Julie Lyonn Lieberman.  Check out this informative article that covers all the bases of Electric String Instruments:

Get the Best Tone on Your Electric

This edition features a special interview with Fan Tao, Director of Research and Development for D’Addario Orchestral Strings

Check out this informative article and the many videos of Julie demonstrating the use of multiple effects units and changing strings on the NS Violin.

Learn more about all the amazing electric bowed string instruments NS Design offers at ThinkNS


NS iNSight – Chats With Champions – Ned Steinberger

NS Design’s founder and legendary instrument designer Ned Steinberger was invited as a featured speaker at the Skidompha Library “Chats With Champions” series this past month in co-sponsorship with Sherman’s Bookstore in Damariscotta, Maine.

In the talk titled “Trial, Error and Invention” Ned discusses the evolution of his life’s work from his childhood passion for woodworking, early career as a furniture designer interested in ergonomic design challenges and the path that ultimately unfolded for the state-of-the-art innovations he brings to the musical instrument world.

Ned describes his forays into business, his early collaborations with Stuart Spector, meeting Les Paul for the first time, and the trials and tribulations of his process for finding the optimal sound potential of an instrument as it relates to its design and construction.

Guest guitarist, David Martin provides examples of the sonic variations and technological advances that make Ned’s instruments so exciting and versatile for players and listeners alike.

For more interviews and discussions with Ned, please visit the Interviews link on our website or go to the NS Design YouTube channel linked here.


The Levin Brothers Band on tour!

The Levin Brothers Band are on tour now.  With bassist Tony Levin and his brother Pete Levin on keyboard along with fellow bandmates sax player Erik Lawrence and drummer Jeff “Siege” Siegel, the band have select dates on the U.S. East Coast and in South America this Spring.

Playing the classic retro sound of the Afro-Cuban influenced jazz referenced from Tony and Pete’s childhood this combo is sure to please!

Check out Tony stretching his wings on the NS Cello and NS Bass on the first single from their debut album: “Not So Square Dance”

Click here for a recap of Tony and Pete’s appearance at the NS Design booth during Winter NAMM 2015.

For more information on the Levin Brothers visit their website at:  http://thelevinbrothers.com


NS Artist Abi Loutoo – Fusing Music and Dance with her NXTa Cello

NS Artist Abi Loutoo is a prodigious cellist and multidisciplinary artist. Her performances combine movement and music with an energy that excites the eye, ear and heart.

At only five years old, after piano failed to spark her interest, Abi started playing the cello. Within five years she had played for Robert Cohen and appeared on television with Yo-Yo Ma in a Master Class at the World Cello Congress.

Studying both dance and cello simultaneously gave her unique insight into how each artform complements the other. “I learned how dancers and musicians feel music differently. The beat divisions in music can be perceived as the human heart while the cello is the instrument closest to the human voice.” Her combinations of the two are deeply felt, as is her belief that each discipline depends on the other. “Every dancer should take up an instrument and every musician should go to dance classes—the two need one another to survive.”

The NS Design NXTa Electric Cello is the perfect instrument for Abi to combine her two loves. The NS cello with the Frame Strap System frees the player from the stand or chair. The mobility has allowed Abi to explore the connections between her music and her dance in ways that would be impossible with a traditional cello.

Likewise, the ability to experiment with amps and effects pedals has broadened her artistic horizons. Her rig is simple, a VOX AD30VT and an amp. The versatility and portability of this system mean more opportunities for her career: “I wanted to make myself a part of any type of band in any genre, be able to travel easily without sacrificing sound quality, have a more ergonomic set up, be able to combine movement with playing and last but certainly not least, help protect the environment.”

In much of her work and life, Abi commits to improving the environment. The capacitor system in NS Design’s NXTa Cello gives her the power of an active pickup while eliminating the need for on-board batteries. “NS Design is at the forefront of string instruments. The eco-friendly charge of the NXTa, along with its clear tone and portability, make it a must have.”

As might be expected of such a diverse talent, Abi’s influences span the musical spectrum. “I love playing hip-hop fusion with many different genres—be they electronic, R& B, jazz, soul, hints of classical, or gospel. As long as I am playing music, I’m having fun!”

Now recording and performing under the name “Abi-L-ity”, Abi is currently at work on a new EP. She just finished a project with DWayne Saint Orbin Bennett. She also continues to work closely with band mate Eddy Bayes, and is in collaboration with Joni Fatora, The Gallactic Effect among other artists.

For more information, news and videos of Abi’s work and collaborative efforts, visit her website www.abi-l-ity.com.


Watching for Foxes – Spring Tour 2017

NS Cellist Geoffrey Kartes leads Michigan’s indie-rock outfit Watching for Foxes on the 2017 Spring Tour supporting their debut album Undone Bird.”

“Watching For Foxes make every song feel like it’s that half-triumphant, half-weary, all-around cathartic march up the hilly knoll towards the unknowable-yet-still-hope-splashed horizon, as if every song were the build up to the closing credits of the indie-arthouse film of the story to your life. ” – Jeff Milo (Detroit Free Press, PASTE) – DEEP CUTZ

Check out their video from Session LIV performing the single “Bad Kids”:

“Arguably the band with the most buzz…This folk-rock ensemble out of Grand Rapids has crafted a cinematic showcase of emotion packed with as many memorable hooks as it has moving, existential passages.” – REVUE MAGAZINE

Here’s “Built Broken | Sofar Cleveland”:

“We love playing music together and we want this to be our entrance into doing music for a living; we work really hard at what we do. Our songs yearn to be heard, to tell our stories, and inspire others to do the same.”

Kartes moonlights as a teacher and shares his passion for music with his students at the Triumph Music Academy in Grand Rapids, MI.  He also has time to run a multimedia design company two9two.  He plays the current model of the NXT Electric Cello with an NXT Cello Tripod Stand and for added mobility during performances he uses the Frame Strap System. NS Design’s recently released version is the very popular NXTa Electric Cello and is part of the comprehensive NXTa eco-friendly active series instrument line.

Catch Watching for Foxes Spring Tour from late March through May 2017.

 


NS Artist Jacob Collier recieves two Grammy Awards.

Congratulations to NS Artist Jacob Collier on his 2017 Grammy Awards.

Jacob was awarded 2017 Grammy Awards in the Best Arrangement, Instrumental or A Cappella category for “You And I” — Jacob Collier, arranger (Jacob Collier) and Best Arrangement, Instruments and Vocals for “Flintstones”  — Jacob Collier, arranger (Jacob Collier).

Here is what some of Jazz’s greatest legends are saying about Jacob and his amazing vision and gift!

“I’ve never heard anybody like that before, his talent is just frightening.”  – Quincy Jones

“Herbie Hancock says he’s an incredible pianist, Nathan East says he’s a fantastic bassist and Quincy says he’s an amazing singer who can it high notes like Michael Jackson but also has an incredible deep bass.”  – Billboard Magazine

“The 21-year-old’s one-man show defied both natural and long-established music laws, as he conjured any sound his imagination fancied on a variety of live-sampled percussion, keyboard and stringed instruments which were looped sonically and visually. This was topped by his multiplied vocals across a four-and-a-half octave range from bass to mezzo soprano creating a thick wall of layered rhythmic and melodic sound and images that swirled together to form an electrifying symphonic stew of breathless jazz, funk, pop, electronic, a cappella and more.” – Billboard

“The split screen YouTube videos that brought Jacob Collier to fame are feats of extraordinary talent and ambition. The byzantine arrangements, on which Collier plays every instrument and sings a choir’s worth of vocal parts, are astounding enough when delivered from his home studio in North London. So to attempt to recreate these arrangements live, seems near Icarus-like in aspiration. Yet in his solo show at the Brooklyn Bowl, Collier flies uninhibited to dizzying musical heights, delighting an audience attentive to his every note.” – London Jazz News – Review of Jacob Collier at the Brooklyn Bowl

Jacob Collier and his One-Man Live Show Creature is a truly amazing musical experience, performed live using looping and harmonizing technology.  Check out this live video from a performance of his original composition “Don’t You Know” Live @ Village Underground, London.

See more of Jacob’s amazing arrangements and videos and catch him on tour at http://www.jacobcollier.co.uk

Jacob plays the NXT Electric Upright Bass. NS Design’s new NXTa EUB is part of the eco-friendly NXTa active series instrument line. With many models and versions to choose from, the NXTa series is an extraordinary option for a variety of players in any performance setting.   thinkNS.com

 


NS Violinist Kate Liebisch “Umbriel” with Winterhymn releases a Mighty single

“Dream of Might”  is the newest release by Winterhymn from their current album Blood & Shadow.  It is a thrilling metal epic that ardent fans of progressive metal will love.

Featuring NS Design Violinist Umbriel (aka Kate Liebisch) this driving masterpiece “weaves soaring, epic, majestic progressive pagan folk metal elements with haunting violin and symphonic melodies.” – New Noise Magazine

For upcoming tour dates and more about Ubriel and Winterhym check out their website at www.winterhymn.net

Umbriel’s violin is the NS WAV, an exciting and affordable electric violin with great performance features, color finish options and a variety of available accessories.  The WAV is an ideal choice for any player who wants freedom, comfort and durability while exploring the world of electric and amplified sound.  thinkNS.com

 

 


NS Design announces the new NXTa Active series.

NXTa logo white large

72dpi NXT4-DB-SB SideBody c

The NXT Series Goes Active and Stays Green!

With the launch of the new NXTa series, Ned Steinberger and NS Design herald the introduction of battery-free, high performance active electronics for the full family of NXT instruments. These include the violin, viola, cello, Omni bass and double bass. The new capacitor-powered custom circuitry, designed for NS Design by Mi-Si Electronics Design, integrates with the NS Polar Pickup System to provide two distinct signal output modes, bringing the convenience, versatility and performance capability of the NXT to another level.

Operationally, for Active mode, the user plugs the supplied charger into an AC outlet for 60 seconds to power the circuit for up to 16 hours of performance time. The instrument can then plug straight into any amp, low or high impedance, no direct box necessary. Since there is no signal loss over the full frequency spectrum of the instrument, the fundamentals of every note remain clear and strong, even with extra-long cables.

In Passive mode, as with the original NXT series, the NXTa can be used with an amplifier with a high impedance input, or with any amplifier using a direct box. In either mode, an important facet of the NXTa circuitry is “eco-friendliness” and convenience. NXTa instruments are still “green” and battery-free, eliminating the hassle and cost of batteries while helping protect our environment.

 Michael Ioffe of Mi-Si with NS Design's Ned Steinberger and the new NXTa Active instruments

Michael Ioffe of Mi-Si with NS Design’s Ned Steinberger and the new NXTa Active instruments

Michael Ioffe, co-founder of Mi-Si (www.mi-si.com), comments “We are very honored to work with Ned Steinberger. We feel that we share the same design philosophy, it’s all about elegance and simplicity.” At the heart of all Mi-Si products is Mi-Si’s patented, battery-free technology which utilizes supercapacitors rather than conventional rechargeable batteries as energy storage elements. Mi-Si minimalistic design philosophy results in clean sound, high power efficiency, low weight, small dimensions, and elegant, environmentally friendly solution to onboard amplification.

72dpi NXT4-VN-SB Front Flat c

Created by Ned Steinberger, the NXT family of NS Design instruments, along with the advanced CR series, is crafted in the Czech Republic. Ned’s instruments are distributed worldwide and have become a mainstay for countless professional artists around the globe. For more information about our instruments and the players who use them, visit thinkNS.com.

The NXTa will be available in September 2016


NS iNSight – A Perfect Fit

 

RADIUS Users cover

Music instrument aesthetics are rarely, if ever, considered from a scientific point of view. Yet for industrial designers and architects, form must meet function. And there is a lot of science and technology to apply in this way.

While technique for playing bass is often the subject of passionate discussion, and there are varying theories (plectrum, fingers, slap, tap, Simandl method, one note per fret method, etc.) the design of the instrument itself has a lot to do with the overall playability of the bass and the ability of the player to successfully use those techniques. When the very first electric bass was created it was just a squared, slab of wood with no cuts or rounded/beveled edges. Ergonomics took a backseat to sound production. And while there were changes over the years, they were an answer to specific player issues and ideas rather than a look directly at design. Even today, most of the emphasis and science in the music instrument industry goes into the materials and electronics of the instruments. Guitar and bass aesthetics are merely a function of what is pleasing or challenging to the eye.

RADIUS blueprint cover

Ned Steinberger is synonymous with innovative headless instruments. Yet it is not as well known that Ned designed the body of one of the most iconic basses of all time, the Spector NS-2 bass. Yes, the NS stands for Ned Steinberger. As a furniture designer and builder specializing in chairs, Ned understood that function and form are all essential to an aesthetically pleasing, yet functional piece of furniture. And it was in that Brooklyn co-op that he shared with some up and coming guitar and bass builders where he first applied those principles to music instruments. In collaboration with Stuart Spector, he designed something radical for the time, a rounded, radiused bass body with cuts and carves that naturally fell against the body of the player, making the bass exponentially more comfortable and easier to play. His body shape has been copied numerous times over the years, by some of the world’s largest guitar manufacturers.

With the NS Design Radius Bass, Ned uses ergonomic science and technology and has taken the body contour to a whole new level. While maintaining and refining the back body curve cut so that the bass lies on the player’s body comfortably, the front of NS Diradial™ Body has a 20 inch radius, which, in combination with the general wedge shape of the body, shifts it into more comfortable orientation for the right and left hand. The slight wedge shape of the body tilts the body and neck slightly inward so the fingerboard is more visible to the player, and the concave curve on the back of the body creates a more stable platform. The radius of the bass is continued along the entire body, to include pickups and bridge, to optimize the playability and comfort of the bass.

 

CR RADIUS butt

The pictures show how the radius has been built into the bass. Built in based on technology.

Simple, yet intuitive. Form, science, and engineering meeting function.